spring is in the air, the sequel

A story written for a little girl in France, who speaks both English and French.

The preamble: https://matildamagtree.com/2024/02/29/spring-is-in-the-air/

L’HISTOIRE DE PEPE LE PEW

Asseyez-toi and listen to the story of un homme that smelled in a way that not tout le monde loved.

It was hiver and Pepe le Pew was frois. He needed une maison to stay chaud. He tried un arbre but it was tres windy and his chapeau kept flying off.

He tried the inside of a trrrrrreeeeessssssss ENORME rubber boot (a polka dot one!) he found in a ditch, but it smelled worse than Pepe le Pew. And it had boue and l’eau inside, which was not nice pour dormir.

He tried the nid of a chickadeedeedee (too petite), and the nest of an aigle (too high up to climb every day).

He asked the ecureuil rouge if he would like a roommate and the ecureuil rouge said: are you kidding me??? (which means non)

And then une nuit froide, when the neige was starting to fall, Pepe noticed un chat going under one end of the barn. And he followed the cat (we aren’t sure if the cat is a he or a she so we will refer to them as they) and the cat fell asleep on a little nid of newspapers and dry bits of feuilles and they looked very chaud et confortable. 

So Pepe le Pew, very politely, and very quietly, made himself une petite nid at the other end of the grange and there he stayed tout l’hiver and came out during the jour to enjoy the soleil and to find little things to eat and then went back under his end of the barn to snuggle up for the nuit.

And the chat didn’t mind one bit.

And so they spent the hiver together, tranquillement.

But that’s not the fini of the histoire because even though by printemps Pepe le Pew had moved out of his nid d’hiver he had left behind a fragrance in the grange that when the door was opened for the premiere time (by moi), made moi rire et rire et rire (parce que I don’t mind the fragrance) and say, ah, c’est evident you were ici, Pepe le Pew!! and I’m heureux that we could give you a maison d’hiver. Bonne chance, bonne chance!

Come back again l’annee prochaine!

La fin.

pepe

Le vrai, et le vraiment, le Pew.

spring is in the air

barn door

Opened the barn door for the first time in two months because until yesterday’s thaw it’s been blocked with ever increasing levels of snow and drifts too big to clear away and was immediately met with a loud and clear fragrance, bringing two thoughts to mind:

one, I’m glad we’ve been able to provide safe shelter for the producer of said fragrance—I’ve seen its tracks in the snow all winter and often wondered how it (and others) survive,

and b) it’s a good thing I like an earthy pong (for that is what I’ll call it).

skunk
Large-tailed Skunk (Mephitis macroura) from the viviparous quadrupeds of North America (1845) illustrated by John Woodhouse Audubon (1812-1862)

dreamy wednesday

In the room where I write, a woman who now raises alpacas once slept, and in another room I dream of a poet bringing me a precious peony bush from her garden but whose name in the way of dreams I’ve forgotten. She says oh dear, I’ve brought the wrong peony and I say what I really want is to know how one word can be a poem, a request the poet ignores as she tuts and tsks over my garden which I’ve asked her to advise on and which she does by pointing and saying that there is in the wrong place and this is how you choose the right place, it has to do with breath not some wild-ass idea you have about freedom and this has to come out and this and this and when we’re done a single shrub remains, a La Di Da Floribunda Rose, everything else in a heap at the feet of the compost bin.

rose.3

Van Gogh’s Blooming Rose Bush, 1889

metaphor in pin stripes

I have a black and white pin-striped suit.

For many years I loved it.

I wore it to fancy events with bare feet and Birkenstocks. I once wore it to a black tie event with bare feet, Birkenstocks, and a black satin tie loosely looped like a necklace.

Once upon a time I was required to attend many fancy events. I don’t like fancy events.

And eventually I didn’t like the suit.

Or thought I didn’t.

I kept trying to give it away but it wouldn’t leave. It just stayed at one end of my closet like an old friend, the kind that still feels part of your life even though you know you’ve grown apart, gone down different roads. You still understand each other, but you also make each other uncomfortable.

The suit had become a source of familiar discomfort.

So the other day I decided again to get rid of it.

I tried it on, for old times sake. I started with the pants.

And suddenly everything made sense.

I love the pants. It’s the jacket I don’t like. I have never truly liked the jacket. There, I said it. What a relief. I hate the jacket but I love the pants. I want to wear them with a unmatching jacket or baggy sweater, a tee shirt, a loose cotton blouse. And Birkenstocks. Always Birkenstocks.

And, no, I don’t want to wear the jacket, at all, with anything.

And this is the amazing thing: to realize I can let go of the part that no longer suits me. I don’t need to keep the jacket just because it’s a SUIT.

Why didn’t I know this years ago?

I can let go of the part that no longer suits.

And embrace what remains.

me, merrygo

the tao of garum masala

Here’s how it goes:

You run out of garum masala.

Days go by. A couple weeks even.

You love curry.

But you refuse to shop in grocery stores for things you can find elsewhere.

There is a spice store in town.

You don’t go into town that often.

So this morning you look at your Indian cookbook (one of Vij’s), hoping to find a discussion about what to do when you have no garum masala and are not heading to town anytime soon.

Make your own Vij says.

Of course!!!

He also says: but make sure your kitchen has good ventilation and the doors to your bedrooms are closed as the roasting of spices can get quite pungent. Maybe open a window. Also you will need a spice (or coffee) grinder.

Hmmm. You’re missing a few of the spices and anyway you don’t feel like breaking up a bag of cinnamon sticks or buying a grinder and you especially don’t like the word ‘ventilation’…

But you DO have SOME of the necessary spices and this in itself is oddly thrilling, this idea of neither buying garam masala nor roasting and grinding your own nor doing without but simply making an easy version of it… until you next go to town and can either a) buy some already made or b) buy the spices necessary to blend your own now that you know what they are, but what’s even more thrilling, and seriously odd too, is that it never once occurred to you in all the decades you’ve been making curry to wonder what garum masala actually was.

Epiphanies come in many flavours.

spice blends

♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦

extreme ikebana

Also known as an empty vase.

A wedding gift that over the decades has held bouquets of tulips, daffodils, all manner of wildflowers, yarrow and goldenrod, bunches of dogwood, wild pussy willow stems, sometimes nothing more than a single leaf from a giant sage green hosta, and just a year or two ago it was home to a birthday arrangement from a faraway friend and the magic of it kept bits of that arrangement going for a ridiculous number of weeks.

But we have young cats now and they jump everywhere and notice EVERY NEW THING that’s brought into the house. A single hosta leaf included.

And so, Ikebana — the Japanese art of minimalist flower arrangement, the idea being that the empty space around the stems is an important part of the arrangement.

Ikebana translates to : making flowers come alive.

And so, extreme Ikebana : the empty vase itself becoming the space where bouquets of memories and memories of bouquets… live.

All of which, invisible to the cats.

vase

the light getting in

There’s a beach where I sing Cohen’s Anthem to the seals, the chorus anyway, about cracks letting in light, the perfection of imperfection. I’m pretty sure that’s what the seals are singing too.

But this post isn’t about seals.

It’s about trees, which is part of the reason I’ve been inconsistently present for the better part of a year,

I’ve been wandering among what’s left of the them ever since Hurricane Fiona struck the east coast, when the island is said to have lost 40% of its trees on that single day in September, 2022.

Much has changed about the landscape since, not to mention the shoreline, not to mention the bridges, wharves, barns and houses demolished. The everywhere piles of timber have become a testament to the art of log stacking.

I’ve been wandering in what’s left of wandering space in the forest around my house, initially dazed, less so each time. We’ve done mammoth cleanups and have begun to cut a few new trails but we’re taking our time. I realize I don’t need a whole forest to wander through in order to feel awe.

There is new sunlight, saplings too, and mossy glades have sprung up among the still standing spruce and eastern larch (tamarack), the maple and birch, groves of beech, mountain ash, serviceberry, alder and aspen.

The other day I counted eight or nine new oak trees I’d never seen before. A few days after that I saw twenty on the same walk. This morning I stopped counting. This is the way of trees, I realize, the slow reveal of them. A forest at a glance is… green space. Up close it’s an unending universe.

Just the other day, at the edge of the tree line, I found two new apple trees, each a great distance from the other. One I call the galette tree for its tiny perfect fruit, tart enough for galettes, one of the few things I enjoy baking, precisely because the crust wants to be imperfectly shaped.

The old linden beside the house was perfectly shaped, but also imperfect because it had grown so large it almost touched the hydro lines and a month or so ago when another hurricane threatened, and because the direction of the forecasted winds (different than Fiona’s) would force the tree’s branches right onto the power lines, we took no chances, and had it cut down. I expected to be sad, pained even, but it wasn’t in the least painful, not a bit sad. There was a sense that the tree itself knew it had become a danger and the space it left was given like a gift, not only to the bee balm and juniper, lilac and witch hazel that have barely survived in its shadow but to me, personally. Its stumps invite me to weave ribbons around them and carve them with Cohen’s words.

Now every morning I salute these stumps and the space once filled with the old linden’s canopy, thank it for its willingness to continue standing despite (we realized) rotting from the middle and something eating its leaves, for making it easy to do what was necessary, and for the light its absence allows.

The other day in my ramblings along the tree line, I noticed among the ‘greenery’ a tiny grove… of linden saplings.

What else to say…

Here’s to the cracks and the light.

Ring all the bells.

light gets in

summer postcards — call the library

library, cardigan

When I was a kid the local library was a kind of household guru where not only the books were revered but also anyone who answered the phone. My dad’s mantra, call the library!, used whenever he was stumped by one of my questions and didn’t feel like guessing. And it wasn’t a suggestion… but delivered as a godsend solution, a way of contacting The Oracle itself. And while I don’t remember any of the calls, what I asked, what they answered (and there were many calls) I have the feeling they always came through. Wait. I remember one call. I’d received a chain letter warning me to make X number of copies… or else. Heaps of carbon paper and cramped fingers would have been involved not to mention I didn’t know enough people to send them to. Still, I didn’t want the ‘or else’ fate so asked my dad what to do and, erring on the side of caution, he decided The Oracle would probably know how to proceed and if they didn’t no one would. As it turned out, The Oracle was brilliant, I can still feel the relief in my ten year old self. Just send out a couple letters to cover your bases, they said. Maybe I’m paraphrasing. But only slightly. The Oracle never minced words.

A library is a medicine cabinet. What can heal one person may not work at all for somebody else.

—Sandra Cisneros, A House of My Own

Long postcard.

But, books.

I was speaking the other day with a friend about home library/bookshelf organization, the categories we have and I loved hearing the sameness and difference of her method to mine. For the record, mine is alphabetical and separate categories. A small room lined with thrift shop and IKEA shelving holds the majority. Novels and short stories get separate spaces. Non-fiction is divided into four categories: essays, memoir, biographies, general info. There’s a poetry shelf. One for gardening (two categories: essays and how-to). Another for nature, generally. A Canada shelf. An anywhere-but-Canada shelf, which mostly includes Florida, Austria, and a tiny island in the Caribbean. A shelf for my favourite children’s books. A small, pared down, collection of literary journals. A shelf of miscellaneous wotnots including greek mythology and holistic cat care. Dictionaries and writing related books live in my office. Art books are in a second sitting room. All food related books are in the kitchen. Yoga and anything I find inspirational, lives on a small bookshelf in my bedroom.

I used to know someone who refused books as gifts because her shelves ONLY held books of the same size and specific colours. Note: used to know.

I often wonder at the origins of a person’s bookish habits, The What and How of what we keep and Why. And, our love of books to begin with, is it a nurture or nature thing, the fact of growing up with many books or almost none, of being read to daily or never being read to, that makes a difference or is there some other mystery involved? Not sure if it qualifies as an origin story, but here’s mine.

me, cardigan

summer postcards — the dna in h20

july24.6 - Copy

Earliest beach memory is picnics, my mum and dad coming home from work, he from a factory, she from the warehouse of a local Towers department store, neither of them easy jobs and I realize now they must have been tired but maybe, like me, never too tired for the beach, so they’d make coffee for one thermos, koolaid for another, throw some bread, meat, cheese, fruit and veg from the garden into a plaid metal cooler and then my dad would start up the little black oldsmobile he called fatso. It was the sixties.

The only other things we brought were towels and a blanket to sit on. The idea of needing anything to amuse ourselves surely never entered their minds, or mine I guess. After all, there was The Lake. And sand. Shells and pebbles and the endless search for beach glass. There was food to eat and clouds to look at. And there was the effort it took to pretend you knew how to swim, thinking no one would figure out you were still touching bottom. My sister, much older, said she’d learned by being tossed into the lake. I wanted to avoid that lesson.

Most vivid beach memory is the night a storm was brewing. My dad and sister were swimming way out in the lake when big rain and thunder started. My mum was frantic, waving, shouting for them to come back. My dad was laughing and waving from a distance. I don’t know what my sister was doing.

Same beach a few decades later. Me and my mum picking rosehips. My dad gone, my sister too, a decade before him. My mum would make a tea blend with the rosehips, adding (also hand picked) calendula, chamomile, linden, whatever she fancied in the moment, whatever she found in season.

Pictured above: the scene a few days ago. Different beach, entirely different body of water. The grandchildren, great grandchildren and great great grandchildren of my parents, most of whom they never met, and watching them (I’ve since learned to swim for real by the way) I see new watery memories being made and can’t help think there’s something deeper that runs through generations, that whether people have actually met in life or not isn’t what determines how much they carry of each other, how much they already know of their history without even trying.

summer postcards – too posh for words

napkins

It’s a funny thing, the how of things remembered.

I remember making these napkins seven hundred at least years ago on a sewing machine I no longer have and that the fabric is a Ralph Lauren print, which I bought from a remnants table not because of Ralph but because… blue and white. I used to have a thing for blue and white (now more drawn to turquoise, orange, yellow and green). Children with mustardy faces who now have messy children of their own used them daily to wipe that mustard and more from lips and hands and while I wouldn’t advise looking too closely, they’ve held up well (maybe thanks in part to the magic of Ralph, not to mention the magic of line drying in the sun) and I remember too a certain few folk for a patio lunch one summer day who snorted when the cloth napkins came out, insisting I needn’t treat them specially, that they weren’t above using paper like everyone else and how for a moment I had no idea what they meant by ‘treating them specially’, assumed some kind of joke going on over my head then found out they were sadly serious, that the napkins meant something on a level I couldn’t de-code and when I tried to assure them I wasn’t fussing (because this was becoming A Thing with them), that we used these napkins all the time, that we never used paper, they took even greater offense at what they assumed was a lie.

I no longer see those people (surprise!), but the napkins (and the lineage of children with mustardy faces, also a clothesline) are still happily part of our daily lives, summer, winter, fall, and spring.