it’s been too long and i miss this space

Hard to fathom it was back in September last year when I was last on this site, no intentions to take a break of seven months, no idea then that Hurricane Fiona was days away.

The aftermath of which was certainly a big part of my absence. And not just in the way of getting over the shock, or even the clean-up, which will be years in the doing, but because big events cause big shifts in ways you sometimes don’t even know are possible. Big shifts in the crevices of our lives. The way we think about things mostly.

Not the least of which is how I’ve come to think about the forest. When we first arrived here to this house near the sea and at the edge of the Wald (a german word that I love), I remember looking at some leaning trees in the distance and bemoaning the fact that they were too far away to cut or straighten, that they cluttered the otherwise beautiful Wald, gave it a messy look because of course trees should be upright, never dead, and full of twittering bluebirds. The best forests are like that. Aren’t they?

Turns out they are not. If you look closely at any healthy forest (not a park setting but a natural woodland) you’ll see dishevelment. You have to look closely though. A quick glance only gives the Disney impression, moss and ferns and rich earth, dappled sunlight, etc., all of which is there too. But look at the dead wood, the fallen trees, the decay that becomes new habitat, the saplings that find slivers of sky and sunshine that reach out and take those saplings by the hand and say this way!

Even so.

Fiona created more than dishevelment.

I spent hours every day walking through our ravaged Wald. Wept at the number of trees down, hundreds of them, like piles of enormous pick-up sticks, only most of these will never be moved except by time and the elements. It occurred to me that I was walking in the Wald more often than I did before Fiona, when the trails were clear. I was always drawn to the shore then, the forest was right there, it could wait. But now the forest called to me several times a day as if it had something to teach, it actually felt that way, and as I took in the devastation daily, sat amongst the debris breathing deeply in sadness but something else too, I noticed a huge white pine I’d never seen before, still standing, and named her Mother for the comfort of her presence, how she seemed to suggest that, despite appearances, all was in fact well, that life goes on. I soon realized that the yin yang of everything is here too, renewal in disaster. I was in anguish for the forest but the forest didn’t feel troubled. And pretty soon neither did I.

The forest, it turns out, is an excellent teacher.

I began to notice all kinds of things that felt new, things I’d walked past before. The tiniest twigs, which I now took the time to identify and celebrate as young birch, maple, oak, or beech. I watched red squirrels move into piles of brush as we cleared new paths and thought how the space had never been so alive with birds (had it?), chickadees greeting me every morning, landing on my outstretched hands, the way sunlight came through new gaps in the canopy. I’ve always embraced nature in a huge way, even as a kid. Outside is my favourite place to be, trees were always my friends, and the cycle of regeneration was something I’ve always known about but didn’t think about it in a deep way, something I just took for granted. Fiona made it impossible to take much for granted.

So this is part of what I’ve been doing all these months.

Falling in love in a new way.

And loving the surprise of its domino effect.

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heart beats and a contrail

When it comes to geese and contrails little has changed in the decade since this was originally posted. Me, I’ve moved to a place where there are more of one and fewer of the other but the other day at sunrise I saw, for the first time ever, a bright red contrail above the apple trees, which I at first took for a sliver of cloud in the morning light then saw the speck of plane, the line behind it growing like someone drawing on a giant canvas and I was sorry I didn’t have my camera but I never have my camera when I go outside early in the morning to greet the trees and I thought of running inside to get it and then a whisper of sanity from somewhere suggested I just stay put, just enjoy the moment, the sweet gift of it and the whisper (in the usual way of whispers) was wise because of course moments don’t wait for people running into houses, much less last forever, and it was all so much lovelier to watch the thing fade naturally than to try and capture it with a net.

All of which reminded me of the following, originally posted January 12, 2012, a completely different kind of moment except for the parts that always feel the same.

Ten thousand geese fly over my house at dusk, honking madly as I set out for a walk. And the moon (and is it Venus?) hangs over a fat white contrail in the not yet completely dark sky.

I consider the heart beats, the energy above me; do they notice things like juxtapositon of moon and man made cloud?

Christmas lights are on and cars pass, faces in my direction, possibly wondering why I’m standing in the street, writing on a scrap of paper in the now almost dark.

Because of the geese, I want to say.
And Venus, if that’s what it is.
Because of the moon and… everything.

I want to say look up!
I want to point.

But the contrail has been blown away and the last of the vees has passed by. The sky has turned black leaving only the sound of the wind and tires on the road. Just the moon and maybe Venus to see— and anyone can see them anytime. No need to point.

I put away my pen and carry on walking.

 
 
 

grateful

 

For so much.

For landing here among berries and forest and sea.

For each morning’s walk and talk with trees and the discovery of edible fungi, for the galette I’m about to make with freshly picked apples, for moss and clover.

For the smell of salt air.

For the kindness of new friends and gifts of manure, jam, books, music, laughter, excellent advice, garlic, and conversation.

For family farms and wool mills where you can bring your own fleece to have cleaned and spun and where you can buy a skein of wool in any colour you choose and send it to a friend who will magic it into a toque, just for you.

For friends and family who stay in touch no matter how far away you roam.

For the luxury of warmth as the nights get colder.

For a sky full of stars.

For a good harvest of mint and the winter teas it will make.

For bees on the sunflower and how the bright red geranium, which has the same name as my newest nephew, has come inside to warm its toes on a sunny windowsill and how when I send my nephew pictures of it I receive pictures of a cherub’s toes in return.

For an excellent vacuum cleaner. This is not small potatoes.

For potatoes. And a garden in which to grow them.

For having become really good at cutting hair.

For not caring if a haircut looks a bit funky.

For the endless love in a cat’s eyes and how they become teachers, and sometimes angels.

For screaming less loudly at the sight of a snake (aka Kevin).

For the smell of supper cooking as I write this and Tea for the Tillerman playing, reminding me of the centuries that have come and gone, all of them leading to here.

For afternoon light and a porch that is made for watching it.

For the frog in the tomato bed, the ladybug in the shower, for the person I saw swimming in the ocean and mistook for a seal until they emerged and I realized they are not a seal but a selkie and who has since become an almost friend. Who would not want a selkie as a friend?

So much.

Happy Thanksgiving.

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here and there

There, at this time of year, I’d be in my kayak just as often as possible, throwing Lulabelle onto the roof of my twenty-three year old Camry (best car in the world) and heading to a small local marsh connected at one end to Lake Ontario but me and Lulabelle staying in the pond where it’s pristine and quiet, just us and the banks of earth-fragrant reeds, egrets, a blue heron colony, thousands of blackbirds rising in clouds at dawn and disappearing-who-knows-where, the magnificent swan ballet, a family of deer watching us from shore, an eagle named Eddie.

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But I am here now, and not there, and Lulabelle is in our new garage still waiting to be dipped into something briny. I’ve been too busy getting from there to here, too busy unpacking and putting in a garden, harvesting berries from the dozens of bushes (blueberries, haskaps, blackberries) that are also here, discovering beaches and tides, where to dig clams, pick oysters off rocks, which seaweeds are tastiest. Busy getting to know the landscape and marvelling at maritime skies, finding the farmers who grow veggies the old-fashioned way, raise meat and eggs ethically, who bake bread and pies and croissants, who make cheese and soap, a mill that will spin your wool for you, a young family of fisherwomen and men where we buy fresh haddock and smoked salmon and the corner mom and pop grocery that sells off-the-boat mussels every Friday.

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There, at this time of year I would take my breakfast, a banana, yoghurt, tea, and park in the lily pads with a book.

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Here I walk barefoot on sand, naming every bend on the shoreline: First Point, Second Point, Toad Point, What’s the Point, Around the Bend, Sandy Point, and Bring a Chair Cove.

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There, at this time of year, the marsh closes to paddling to allow the birds peace as they prepare for migration.

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Here there are apples to harvest and juice, rows of berry bushes to clean up.

But unlike there, here our paddling destination remains open until freeze-up and while I am both excited and nervous to paddle tidal waters for the first time, Lulabelle is calm and ready and as eager here as she ever was there.

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and just when

When you’re out in the garden feeding the birds and saying good morning to the solstice day and you look through the cedars and see a bit of pink and you wonder if it will turn cherry red because the sunsets and sunrises have been so brilliant recently and you decide to head to the lake just in case

and just when you think it might get pinker the sky clouds right over and goes grey grey grey

but you stay because there’s no one else there except in the distance a woman and a small dog who you eventually pass and you both say good morning and you think you should have said happy solstice and just when you’re kicking yourself for not, along comes a guy with a terrifying looking large dog who also says good morning and this time you say it, happy solstice, you say and his face is mostly hidden by a hoodie but you can see he has a beard and a moustache and the dog is muscular and on a short leash and then the guy smiles very big, and says yeah

and you have the feeling this is the first he’s hearing of it and you decide to walk right to the end where the big rock sometimes gets swallowed by waves, the rock where you sometimes leave a small stone as a gift for whoever, for the universe itself, and just when you decide that if you find a heart-shaped stone you will leave that as your solstice gift, you look down and see a huge one frozen into the sand

and you pry it loose and it’s cold and you’re not wearing gloves so you move it from one hand to the other until you get to the big rock and en route you see a daisy but you have no hands to take a picture so you decide you’ll do that on the way back

but then you get distracted by a still smoking bonfire as if maybe someone was there before sunrise on this day of light… which is lovely but better if they’d left less of a mess

and this thinking about litter is distracting and just when you realize you’ve passed the place where the daisy would have been and you’re thinking it’s too bad you missed taking the photo because who will ever believe you saw a daisy on a December beach

you find a rose

and then a chrysanthemum

and so on

 

and you would like to wonder how they got there but really you don’t care because you are more delighted with the gift of them to you, than whoever they might have belonged to before

and you find beach glass in all three colours and there is, not exactly, driftwood, but it will be one day, and you remember how your dad made lamps and tables out of it and just when you realize it’s impossible to see any version of the stuff without thinking of him

you remember growing up on the other side of this lake, coolers filled with potato salad, lawn chairs and learning to swim, walks with your mother to pick rose hips for tea from bushes that grew wild near the beach and your dad gathering stones to build rockeries, and you think how you could never have known or guessed then that one solstice morning you would be walking on the opposite shore thinking about any of that

and the sky is still wonderfully grey.

how to find a prairie in southern ontario during a pandemic

 

Begin with endlessly sorting your bookshelves. Keep, donate, keep, donate….

At the back of the shelves, find a book on road trips that looks boring and decide you don’t want to keep it but then notice a newspaper clipping tucked inside — an ‘Out Walking’ column from the local paper, by Margaret Carney, a (Whitby) resident, writer, and naturalist.

Notice the date: September 10, 2000.

Read the clipping.

Get excited about sentences like this:

“One of the biggest thrills of my whole summer was visiting a precious remnant of original tallgrass prairie — the site of a historic cemetery — and then, high on a bluff overlooking the Otonobee River, a magnificent restoration of acres of prairie wildflowers in bloom. Both are just east of Durham Region, on the Rice Lake Plains — a pleasant jaunt for anyone out for a drive.”

Consider whether you have enough cheese in the fridge to make a picnic.

(If yes, pick a sunny day, pack a cooler. Include peaches. The peaches are wonderful this year.)

Head out on the road.

Bring the newspaper clipping.

As you drive ask the person in the passenger seat to read out the part again where Carney says the cemetery, because it’s on land that has never been plowed, contains one of the rarest surviving plant communities in Canada.

Also the directions. Could they please read out the directions again.

Because you’re having trouble finding the place.

Though you do find some nice views and happy surprises en route and for a moment you think you’ve found the cemetery. But no…

Just as you’re about to give up, just as you begin driving away, heed the seemingly pointless impulse to turn the car around and drive back a few kilometres along the same road for the third time.

When you see a man on a small tractor (who was not there just a few minutes ago) drive onto his property in a cheerful manner, and apologize for interrupting. Ask about the cemetery and be a little surprised that he knows exactly where it is. Smile when he says have a good time. Grimace when he says watch out for snakes. Snakes??  Oh, sure, he says, there’s snakes out here. Bear too, and mean yellow-eyed Fishers (which you will google later.)

Drive back along the road for the fourth time.

And then marvel at how exactly where he said it would be, there it is, the Red Cloud Cemetery, once part of a community called Red Cloud.

Walk through this small slice of undisturbed grassland with reverence for the people who lived here, for those who’ve come and gone, and wonder about their stories (first burial in the early 1800’s, the last in 1940).  Reverence too for this slice of rich history and remnant of original landscape that looks so ordinary it makes you dearly want someone to explain what’s what.

Above all, feel reverence for the quiet energy that fills this space.

Decide it’s the perfect place for a picnic.

Open up your lawn chairs and haul out your cheese sandwiches. Notice the size and diversity of the trees and wonder how many eyes have looked at them from exactly this angle against a sky exactly this shade of blue. Do not think about snakes. Although because of possible bears, keep the picnic site close to the car.

From there follow Carney’s instructions an hour or so west, to the Rainbow Tallgrass Prairie Restoration Site near Rice Lake, which she describes as twenty acres of private farmland that a family is restoring to its original tallgrass prairie roots.

Once again be unable to find the place.

Once again notice a man on a tractor. A larger tractor this time, driving along the gravel road. He will tell you the prairie is long gone, the property sold to new owners who plowed it over in order to farm the land. He will wonder how it is you came to be looking for it. Tell him about the twenty year old newspaper clipping. Watch the confusion on his face, followed by an expression that might translate to something like: city people.

He will give you directions, tell you it’s over that hill, turn right at the next lane. He will tell you the sign is still there but nothing else and you decide to go look for it anyway, for the sign and for where the prairie used to be and once again, it’s all exactly where the man on the tractor said it would be.

Or would be if it still existed.

Decide to head home now that you are filled with knowing what you already knew, that some parts of nature are preserved and others are not. Be happy that if a tallgrass prairie restoration project had to be razed, it was for someone to make a living. Remind yourself that this isn’t anything new and just embrace the fact that tall grass prairies once covered this part of the province, wherever the soil is sandy. Imagine it.

Be grateful there are still small, independent farmers.

Sigh deeply. For the beauty and the sadness and the joy and the reality of the ever changing change of things. For the miracle of men on tractors appearing just when you need them. For not seeing snakes. Or bears. For the luxury of sandwiches made with local cheese and peaches grown on Ontario trees. For the privilege of being able to spend a day breathing in such peace.

Point the car in the direction of home.

Turn on the radio.

Be grateful for the person in the passenger seat.

And when the mood strikes, stop and stretch your legs, climb up to lookouts and see where you’ve been

and if there are no cars in the parking lot of a bakery, don your mask and enter, leaving with one perfect butter tart,

and when, like a mirage, a field of grapes appears where probably a tall grass prairie once stood, and a sign for libations… take a long deep breath for irony’s sake, slip on your mask, and find the patio.

And if there are only two other people there and they are waaaay at the other end — and down wind to boot — pull down your mask and enjoy the view.

More tallgrass prairie love here.

 

 

 

 

this morning i went to my place of worship

 

This morning I went to my place of worship.

Does it matter where it is, what it is, whether it’s recognizable, made of feathers or cement?

Answer: no.

This morning I went to my place of worship.

I brought my camera and my eyes and my gratitude for seeing.

I brought joy at the blue heron’s greeting and the resident swan family out for their morning constitutional, reminding me of how last year I saw the adults perform a water ballet.

I brought silence and received birdsong, wing rustle in reeds. I brought my breath and it got deeper and the shoulders I thought to pack at the last moment, and which were so high and tight they were a burden to carry, dropped and loosened and were suddenly fine to travel with.

I brought no expectation of blue-blue sky  but there it was and me here in my pew, maybe the only one amazed. The trees seemed to take it in stride.

I brought stillness and found the water rippling with invisible insects, fish jumping, bubbles on the surface in the form of a heart. I found the electric blue green of a dragonfly and the white wings of a tern.

I brought the wonder of how everything knows how to survive winter and weather and drought and us. And I brought no judgement. And I was not judged. Of that I’m certain.

I brought a banana.

And I brought some blueberries.

And I ate them, leaving a single perfect one as my offering…

for the collection plate.

 

 

this is not a review: ‘life in the garden’, by penelope lively

 

If, during these sheltering at home times, you’re lucky enough to have a garden, I’ll bet you’re embracing it. I know I am, with infinite pleasure. Not only in love with my own green space but ever more in love with gardens generally, including those of friends through shared pics and conversations and all the beautiful green energy that gardens generate.

Also books about gardens.

Most recently ‘Life in the Garden’ which is so perfectly titled how could I not be drawn to it given that these past three months it’s been my theme song and even now when the world is slowly opening up and I don’t think that’s maybe the best idea I continue to live, for the most part, in my garden.

A slim thing, 186 pp with not a wasted word, reflections on gardens and how they connect to art, to literature,  history, as well as the fashion of gardens (white garden in, wax begonias out, that kind of thing) and the inanity of the Chelsea Flower Show. This last observation especially endears me to the author. The point of it all being that gardens are as individual in appearance and purpose as those who create them and the natural environment in which they exist, and should never be influenced by trends, fashions or other dictates.

Not a new philosophy but what IS new? The writer’s job is not to invent the wheel, but to show it from a perspective that feels fresh, that makes us think differently about something familiar just when we thought we’d thought it all.

“I do not look at [photos[ with the same intensity that I look at a painted garden… The photograph reports; the painting examines, interprets, expands.”

I like how Lively distinguishes between gardening and creating, or allowing a garden to simply be. The former being weeding, etc., the latter everything else. While able to admire aspects of the fancy schmancy spaces with boxwood edges trimmed to mad levels of perfection, she prefers a sort of contrived disarray, enough hands-off so that plants can truly find their own space with only occasional intervention and nudging so that there is fairness to all and a limit on anarchy. This works against the principle of insisting the blue things go here and the yellow there.

“Gardening is not outdoor housework.”

She writes about gardens in various urban and rural settings and how, surprisingly, it’s the suburban gardens (those between city and country) that, despite a devotion to lawns, also tend to have the larger number of green spaces/gardens and the greatest diversity of plants.

There are bits about Virginia Woolf’s house near Lewes, purchased in 1919 when she was thirty-seven and her years of gardening there with Leonard and thoughts on the Garden of Eden and while… “God made the beast of the earth after his kind, and cattle after their kind, and everything that creepeth upon the earth...” she would have been that much happier had there been some second thoughts when it came to creating vine weevil and greenfly.

She writes about The Eden Project, vast biomes housing a rainforest in Cornwall and how Gertrude Jeckyll was THE gardening guru of her time, her books the forerunner to Home and Garden magazine.

She writes about gardens as inspiration for art—German Impressionist, Max Liebermann’s garden at Wannsee, a suburb of Berlin, Gustav Klimt’s, fin-de-siecle golden ladies, his ‘cottage garden’ flowers of 1905, Munch’s Jealousy in the Garden, (one of eleven Jealousies… including Jealousy in the Bath, etc.)

“Van Gogh said that he discovered the laws of simultaneous colour contrast while studying flowers.”

And she writes about the rhododendrons of Daphne du Marier’s Rebecca. (which Lively personally doesn’t like for their aggressiveness and show-offy ways and which make them perfect for what they symbolize in the book)

Nor does Lively hold back her opinion of A Secret Garden, which she doesn’t love for its sentimentalism and heavy handed approach about the healing aspects of positive thinking which Frances Hodgson Burnett arrived at through Christian Science. (Here I might disagree with Lively. Not on Christian Science, of which I know zip, but that the power of positive thinking itself surely can NOT be a bad message. Though she has other issues with the book and I would need to re-read A Secret Garden to comment further.)

However, Lively (don’t you love her name) IS a huge fan of Tom’s Midnight Garden, by Philippa Pearce, and references a scene where Tom meets an old woman, Mrs. Bartholomew (once the young girl of the story) who she tells him that “nothing stands still, except in our memory” . The scene goes on a bit longer and Lively shares it all, then adds her thoughts: “For the boy Tom, this is a moment of maturity, a glimpse of the continuity and of growing up, and a reason why [the book] is one of the greatest children’s books of all time. But above all, it is a narrative of great elegance, simply told, and leaving you with insights into the nature of time, and memory.”

The Stone Diaries comes up (when Daisy Goodwill becomes a garden columnist). And Elizabeth and Her German Gardenabout living in Prussia and gardening not being allowed for ladies. Which Lively mentions must have been a Prussian thing because it’s long been okay for the upper class to get their hands dirty (but only in the garden, and with help of course).

My TBR list increased a fair bit thanks to Lively. I now need to add Anna Pavord for gardening advice and compost making. Also her book The Tulip.

Also Margery Fish, a pioneer of informal gardening.

And Karel Capek’s The Gardener’s Year (who employs tongue in cheek humour about the ‘joys’.)

I discovered what a landscaping ‘ha-ha’ is (an architectural term for an optical illusion) and that there was a tulipmania period from 1634-37. “…at its height one of the most prized bulbs changed hands for a price equivalent to one of the then finest houses on an Amsterdam canal.”  One of the special charms of the book is that every single thing she writes about is interesting and well presented but short. No eternal chapters devoted to just one thing. Tulipmania, for instance, is beautifully explained in a page with a perfectly acceptable sense of if you want to know more about it, look it up.

Where Lively and I disagree to some extent is on the use of the Latin to describe plants. I understand its helpfulness in terms of genesis, but it does take a lot of remembering of syllables and comes off a bit snotty.

“My beloved signature plant, Erigeron karvinskianus,comes from Mexico and is sometimes called Mexican fleabane, tough I wouldn’t dream of doing so.”

But fleabane is SUCH a much lovelier name! Come on now, Penelope.

 And then she’ll say something like this:

“The gardener ends up with a head crammed full of names…. but I have not yet stared at a rose wondering what kind of flower this is, and in fact plant names seem to surface more readily than those of politicians or celebrities, which is as it should be, as far as I’m concerned.”

And once again, we agree.

 

this is not a review: ‘to speak for the trees’, by diana beresford-kroeger

 

Second time I’ve read this. Probably won’t be the last. So much earth info tucked into the story of how a Canadian orphan became an internationally reknown conservationist. And a few other ‘ists’.

Sent to live with family in Lisheens, Ireland, (Lisheens is the anglicized version of an Irish word for ‘stone circle’), Beresford-Kroeger had the luck of growing up in a world of ancient Celtic knowledge and Brehon Laws (which were ahead of their time insofar as considering equality of people and respect for nature). Living through the depression and the years of WWII in relative poverty, she remembers her childhood as a world rich with appreciation, wisdom, and lessons in how to quietly contribute in ways that were/are of benefit to all life forms. That was the Brehon way.

“From my childhood… I’d been taught to… always look for ways to improve the world around me. I’d never had any money… instead I gave back via other means.”

It was also the beginning of her lifelong interest in healing the earth, understanding at an early age that trees are more than places to picnic under but function as the lungs of the planet. Eventually it began to occur to her that people didn’t need to travel so much, shop so much, drive so much, have so much, and destroy so much.. She became an advocate of simple living, but it was trees, especially, that remained her passion and to speak for them in a variety of quietly powerful ways has been her mission ever since.

Divided into two sections, the book initially follows the author’s life from that childhood deep in Druid lore to her eventual contributions as not only a conservationist, but a biologist, botanist, research scientist (during which time she discovered cathodoluminescence), scientific advisor on genetic modification, writer of bioplans, international speaker, environmental activist (saving, among other slices of the planet, a section of boreal forest the size of Denmark, now a UNESCO site).

In the early ‘90’s she propagated hellebores from Bosnia to raise money for women affected by the war in the former Yugoslavia, which paid for 15,000 surgeries and electrocardiogram machines for Doctors Without Borders and a safe house in the city of Tuzla. Later, she launched The Millenium Project, sending out 750,000 seeds and saplings to 4,500 recipients over a period of years, all native species, all propagated on her farm. She is also a fierce advocate for pollinators, sitting on boards and fighting to legislate chemical-free areas around farmers’ fields.

But the book isn’t actually ABOUT any of this.

It’s about her life as it relates to the natural world, her path to knowledge and discovery… with chapters such as ‘Comfort in a Stone’, ‘The Yellow Box of Paints’, ‘No Burden for a Woman to be Educated’, ‘The Science of Ancient Knowledge’, ‘The Sumac Flower’, etc. It’s mostly about paying attention.

The second half contains ‘The Celtic Alphabet of Trees’ in which are listed 26 trees and shrubs, each with their own short chapter of fascinating tidbits such as medicinal properties and information on weather watching… (a halo around the moon means a change in weather and if there are one to three stars within the halo, they represent the number of days until that change).

Aspens, for instance, are harbingers of weather patterns if you know how to read them. And who knew there are 25 species of wild apple trees, all of which now rare or endangered and that it’s these wild trees not the cultivars that are most important to pollinators and that bees were once revered, and protected by Brehon Laws.

“[The Druids]… honoured the tapestry of life around the honeybee. These workers were considered to be an extended part of the family. Births, marriages, deaths and anniversaries were announced to the bees. Grief was always shared with the bees in a form of non-verbal communication.”

She says things like this:

“We are all woodland people. Like trees, we hold a genetic memory of the past because trees are parents to the child deep within us. We feel that shared history come alive every time we step into the forest, where the majesty of nature calls to us in a voice beyond our imaginations. But even in those of us who haven’t encountered trees in months or even years, the connection to the natural world is there, waiting to be remembered.”

And reminds us that the fight for climate change is a long game and that it CAN be fixed with faith, determination and buy in. The DOING of something positvie, even something small, by millions of people would have an effect. Which is different than shouting the odds and blaming The Other and grandstanding. She’s talking about quietly doing something together.

She has an idea: that if every person on the planet planted just one tree per year for the next six years, we’d stop climate change in its tracks.

“Three hundred million years ago, trees took an environment with a toxic load of carbon and turned it into something that could sustain human life. They can do it again.”

Of course she recognizes that not every person is able to plant even one tree but says even a simple pot on a balcony is helpful… keeping in mind there are those who can plant more than one tree per year. Her point is that however small we feel, we have the power to be part of a huge collective if only we stop waiting for a BIG CHANGE,  or a big opportunity or a BIG player to make the first move… all of which would be splendid, but while rattling cages might vent some frustration, it’s the power of ONE small action,  times millions of people, that could actually effect real change.

An example of this is evidenced by what’s happening as a result of the current shutting down of so many polluters. Smog has lifted, water is cleaner. That’s how quickly it happens. So she’s right, it CAN be done by many people doing small things. The key is to understand there will be no social media ‘likes’,  no recognition, no applause, awards, or even signs of change for a very long time… The key is to do the right thing anyway. With conviction.

“… we can fight climate change… we can band together to take on government and industry; we can keep informed of plans to destroy forests and fight them at every turn”

And to keep on doing it long after the media no longer pays attention to you.

On a smaller scale, she says, “we can take on the role of guardian and steward within our own neighbourhoods and towns, as has been done to great effect in Winnipeg… The people of that city have come together to protect their elm tree… These efforts have inspired others to do even more… If you have a large tree on your street, make sure your local council knows that you value it. Every opportunity to vote is an opportunity to put someone who cares about forests in a position of greater power and authority.”

She talks science in easily understood ways. 

“There is a deity in nature that we all understand. When you walk into a forest—great or small—you enter it in one state and emerge from it calmer. You have that cathedral feeling and you’re never the same again. You come out of there and you know something big has happened to you… We now know that the alpha- and beta-pinenes produced by the forest actually do uplift your mood and affect your brain through your immune system…. The beneficial effects of a twenty minute pine forest walk will remain in the immune system’s memory for about thirty days.”

And admits how much we don’t know.

“We still can’t explain how water gets to the top of a tree—how the plant defies physics and causes water to run uphill. With such fundamentals still eluding our understanding, how can we cut down a forest? Just imagine the arrogance and greed of that—and the short-sightedness.”

Because, yes, we have SO MUCH TO LEARN from nature. Cutting down trees without considering the effects is madness. Polluting for the sake of making and buying things we don’t need and getting to places we don’t need to get to is a habit not a necessity.

The reason I re-read this book, is the same reason I re-read a lot of books on trees and nature generally… because of learning how to be on this planet.

One suggestion the author makes along those lines… she suggests we take a moment to become a tree…

“…palms up, arms outstretched… tilt your head up, too, and let the sunshine land on your face, your hands, the rest of you. Feel the sun on the surface of your skin. With this act, you are becoming like a tree… The feeling you have on your skin is a dance with the short-wavelength energy of the sun. This dance has a name in the ancient world of the Celts…. song of the universe.”

The purpose of which is connection… which applies to everything. To us and trees, us and each other, everything and everything. Because the more we understand The Other, whatever and whoever that is, the better off we all become as a result.

So go on, don’t be shy… palms up, arms outstretched…

We have so much to learn.

Prevent the next pandemic; protect nature.

 

 

this is not a review: ‘pilgrim at tinker creek’, by annie dillard

 

The pleasure of this book for me is that I can dip into it whenever I want to travel the Blue Ridge Mountain countryside, which has been a fascination for me ever since hearing as a kid the song ‘Country Roads’, which I sang alone in the backseat of my parent’s Oldsmobile as we drove north for summer holidays… me staring out the window at endless forest and imagining living a solitary life in those woods, making my own orange crate furniture… take me home, country roads…

Until my mother would inevitably say can you please put a sock in it. Or words to that effect.

Tinker Creek is in West Virginia. The narrator is unnamed but feels like Annie Dillard. Also Thoreau. Non-fiction pieces cobbled into chapters from reams of journal entries. The attention to details in nature thrills me. There’s no point in giving examples… the thing has to be read to be appreciated, otherwise I could as easily say frogs, bulrushes, English sparrow, landscape, polar ice, sunlight, rain, thunder, a gravel path, the egg cases of a praying mantis, the thin membrane of an onion, that sort of thing. The kind of person it would be a joy to walk with through the woods or along the shores of Tinker Creek but I suspect she is one who prefers to walk through nature alone.

I get that. So do I. For which reason the writing and the reading is the perfect vehicle for us both.

“Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn’t make one.”

**

Here is the Country Roads (John Denver) version I remember. Still gets to me and now, in these strange times, also reminds me that as a kid singing this, it didn’t occur to me I was singing about somewhere in another country… I was simply singing about nature, affected by the effect it has, which is everywhere and belongs to no one. Borders are human-made and humans aren’t bright.

Sending the world a little love. Without borders.

 

~

(Also, as a Briny Books Bingo marker… it goes on ‘A book that’s been sitting too long on your TBR pile’.)