the reason my house and car and pockets are filled with stones

 

They line stairs, window ledges and bookshelves; fill flowerpots and bowls beside my bed. And that little space in my car, the alcove-esque area above the gear shift, is for what if not stones…?

My theory for the why of this (apart from stones are lovely) is the way my dad would every now and then on a summer night after working in a factory all day and after mowing the lawn and after supper… announce that he was heading to the beach to get some rocks.

He didn’t ask me to come with him. I was a skinny kid with noodly arms. Not super helpful in the rock lifting department.

But something in the way he said he was going to the beach… different from the way he said he was off to Canadian Tire… sounded like an invitation.

And so we went.

He and me.

He to collect rocks for alpine gardens, to edge various beds or frame his collection of seashells.

And me, to skip stones, bury my legs in cool nighttime sand and wonder how long it would take to swim across Lake Ontario and what, if anything, was on the other side.

It’s possible he took breaks from the rock gathering. He may have sat on a length of driftwood at some point, lit a cigarette and wondered too about the swimming and the other side.

I don’t remember the details of these beachy missions.

Only that cool nighttime sand.

And my first pocketful of stones.

 

 

 

closing time

 
It took the better part of two days to install.

Just over an hour to take down.

The weeks in between were a sheer loveliness of spending time with my own couches in a public space and meeting people and having conversations start out of the thin air of upholstery.

The woman who told me her grandparents were happy as clams all their livelong lives together and maybe not in small part because of the mickeys of hootch they kept down the sides of their respective armchairs.

Another who said her first couch was an old door on top of bricks (for legs) and a slab of foam with fabric wrapped around it and several pillows propped against the wall.

The couch someone had forgotten but suddenly remembered hauling from a curb in Whistler and how much they loved it for the year they lived there.

The people who left me postcards.

And the strangers who sat down and talked as though we were old pals.

The kid who told me that sleeping on a pullout feels like a vacation.

And the kids who came on the last day to play the lava game and the scavenger game and ran around looking for things in the photos… a fire hydrant, geese, a porch, leaves, a rock, curtains, stairs, a dog wearing sunglasses. I loved their names— Violet, Autumn, Pandora, Audrey, Lucas, Madeleine, Maxine, Susie… I’ve forgotten some, but not the boy with the glasses and the girl who was so painfully shy.

The friends who brought me greenteacoconutmilkmachalatte, and those who were there when wine was on offer. Friends who travelled a distance to see this show and those who couldn’t come but were there in spirit. (I felt that spirit!) To friends who gave up part of a Sunday afternoon to hear me talk about how underwear affected furniture design. And to friends I missed seeing… sorry I missed you! Thank you all for coming and making this experience exactly what I hoped it would be… a stirring of memory and invitation to story.

Above all, thanks to The Robert McLaughlin Gallery, and the amazing gift that is Gallery A, for allowing me and my orphaned furniture this time and space.

Putting rubbish to some good purpose is my whole thing, after all.

That, and writing mystery thrillers set in art galleries…

 
 

what’s in front of me

 

I’ve often noticed that we’re not able to look at what’s in front of us,
unless it’s inside a frame. Abbas Kiarostami

This is how it is with me lately. Everything is frames and frame sizes and pictures to fit frames and matting to fit frames (and did you know how varied matting can be, that it comes in suede or bamboo or the texture of a basketball if that’s your thing??) And it’s not all beige either, FYI.

At this moment I may well be the most knowledgeable person within a certain kilometre radius on the subject of thrift shop frames. Go ahead, ask me who has the best prices, the biggest stock, the easiest aisles through which to maneuver a cart clunky with the oversized, the gawdy and the gilted. Ask me about how it’s important to check the BACK of the frame not just the front. (Backs can be a bugger.)

Because this is what I do now, ever since I got the happy news that my photos of abandoned couches were accepted for exhibit at ‘Gallery A’ in The Robert McLaughlin Gallery.

In this exciting new world of ‘preparing for a show’ I hunt for the tacky and eccentric. Really not so different really from my usual life…

I also clean and scrape glass (why do stores insist on putting price tags in all the wrong places?), pry off the buggery backs, measure, ponder which pic goes where and if any require basketball textured matting, and take regular coconut milk macha green tea latte breaks with my staff.

That last step is not insignificant.

The show opens next month.

(Shameless promotion, I know, but… imagine!)

i drove to barrie

 
I’ve never been to Barrie before.

dsc08000I’d heard there was a nice waterfront.

It’s true.

dsc08006dsc08008But I didn’t go for the waterfront. That was simply a bonus, a nice way to spend the hour before sunset.

dsc08010 dsc08014At 7 p.m. I was in the living room of people I’d never met, about to be entertained by one of my favourite musicians, Laura Smith.

And Paul Mills.

A house concert, my first.

dsc08015 dsc08016And I really can’t even begin to describe how extraordinary it is to hear a concert quality performance in the comfort of a private home.

dsc08036And Laura Smith’s voice… well, if you’ve ever heard it, you might understand the mind-boggling effect of hearing it up close. If you’ve never heard it, listen to this…  And more, here.

It was Laura’s voice on a couple of CD’s that kept me company as I drove back, solo, from Prince Edward Island last year. For me, her voice and driving, travelling, looking and seeing and finding new things… are all connected.

I’ve also been known to dance in my own living room to her tunes.

I did not dance in the living room of strangers, though I suspect they might not have minded.

dsc08048I must have had the feeling I wouldn’t be able to describe anything and so I scribbled down lines throughout the evening… some from stories Laura told about the origins of the songs, why and how she wrote them; others from the songs themselves. This is a sliver of things, my concert mash up…

 

I Drove to Barrie to Hear Laura Smith

I was never safer
because of my smart dog
—the hardest part was starting.
Only an echo will answer my name;
I look into your eyes and see stories
that will never get told, like a father
and a daughter—love to have you here
havin’ a beer, right about now, steamin’
with toil, with the seagulls around me
and crows on the plough; you are loved
and you are loved always, you’re home.
I hear voices in the salt spray, the last
light of the sun going down; I sit in the
same chair every night, Jordy—
a bad hair day in a cheap motel—I’m a
beauty. I’m a beauty.

dsc08049

Nothing else to say.

Except, thanks. It was the best…

when it all becomes too much…

 
Make art.

DSC05676It’s a good day when you find a door on the sidewalk.

DSC05677 And the door has feelings.DSC05679This actually reads: “chalk art is meant…”

DSC05680 “to be destroyed.”

An artist statement that makes the artist all the more remarkable in my view. DSC05690 DSC05689 DSC05688 DSC05687 DSC05686 DSC05685 DSC05682 DSC05681 DSC05678 DSC05674 DSC05673DSC05691A couple of lads walked by as I was taking these shots and they were swaggering in that way that suggests they’re just too sexy for their shoes. Or something. Attitude. But the chalk art got to them. They looked, slowed down, forgot the swagger for a moment, almost cracked a smile. I caught their eye, said nifty noodles, eh? Or along those lines, small talk. Unable to speak in sentences perhaps, they made a sound, nodded, and kept going, with a bit less swagger in their step I thought.

Art has this effect.

DSC05684DSC05692 DSC05675