things i saw

Geraniums blooming in the window of a gas station that’s been owned by two brothers for twenty-five years. The kind of place where they pump your gas and chat about the weather and tell you there’s been a gas station on that site since the 1920’s; they clean your windshield and check your oil and have hydraulic lifts and tools and if you drive in with a flat, they can fix it.

Workers in orange overalls taking down an orange snow fence along the cornfield I pass every day, which has recently become a temporary pond—so realistic it’s attracted a family of geese and a few vacationing swans.

I see that the early morning fisherman who park under the overpass near the creek are back and I wonder what it is they fish for and I try to catch a glimpse of them, which I have never done, and then I see a giant new pot hole in the road… too late.

we’ve got compartments

I hope this doesn’t come off like bragging but I know exactly where my S-hooks are.

Finally cleared out the basement workshoppy area—such a hopeless tangle of semi useful debris it didn’t even have a name.

One of us has wanted to do this for yonks. The other, more meh, got his way, way too long. (Please note: this wasn’t a job one of us could have done alone given that much debris was of mysterious parentage, needing ‘the other’ to classify.)

So, for eighteen years, if you needed, say, a rope, you had to fight your way through a jumble of paint tins, sacks of multi-coloured wall plugs, rubber tipped springy things that stop doors hitting walls, vacuum cleaner bags for long deceased vacuums, a plastic barrel of shims (used to slide under things to make them level I was told—apparently everyone needs five hundred); you’d have to move aside a trillion tins of assorted nuts and bolts, electrical stuff, hinges, plumbing bits, dried up drywall compound, tubes of caulking, a toolbelt (never worn), paint brushes, dozens of pencils, fuses, batteries, wood filler and individual cartons kept for the sole purpose of housing individual sheets of instructions no one ever reads; you’d find at least one broken hack-saw (kept because we didn’t know we also had an unbroken hack-saw) before you found any sign of rope. Unless of course you were looking for the hack-saw, in which case you’d find the rope first.

—Anyone still awake?

The point is… whatever you were looking for, it was just easiser to get in the car and drive to Rona.

Ah, but not so now, she said drunk on organization after a few glorious hours in the furnace room over the weekend!

Go ahead. Ask me for an S-hook.

Or a patch to fix an inner tube. Nails? Are you kidding me? What size? What colour? We have compartments. Sandpaper? Fine or coarse? Rope? There’s a drawer for that. Maybe you’d prefer a bungee cord (red or blue?), plastic coated fencing wire or two kinds of ordinary garden twine? Could your Theraband ball stand to be inflated… maybe just a titch? If so, come on over to our house toute de suite, I know where the pump is.

Even the reluctant other is impressed.

And hell, it’s hard not to be. For the first time in eighteen years we sleep at night, filled with contented smugness, knowing the exact location of stuff we almost never use.

passing it on

Thanks to to whoever gave away these books (found on discard/share shelves at my public library).

What My Father Gave Me, anthology edited by Melanie Little, with work by Lisa Moore, Melanie LIttle, Susan Olding, Saleema Nawaz, Cathy Stonehouse, Shannon McFerran, Jessica Raya

Belle, by Florence Gibson

In Green, by Robin Blackburn

“In my hands I’ve got a jar. A large one, the kind my grandma uses for canning. I’m here to fill it. Then I’ll stuff it in my knapsack. And tomorrow morning I’ll cart it to the woods, where, with forty giggling, hiccupping, and wise cracking petty thieves just like me, I will chug its contents before my first class of the day, arriving at school glassy-eyed, rubber-kneed, and instantly popular.

“My best friend, Brenda, has agreed to bring orange juice for the mix.

“I stare at the bottles. The bottles stare back. From the rec room downstairs, my parents’ voices rise and fall in staccato bursts, punctuated by the clink of ice cubes as they set down their tumblers or raise them for the next sip. I need to time this perfectly, before my mom comes upstairs to start supper, before the doorbell rings, and one of them comes to answer it, before their next refill. The time is now.

“I reach for the vodka. Goes better with orange juice, I tell myself. Vodka’s so much better for the morning.

“But the truth is different. In fact, I’d never be able to go through with this plan if I stole the rum. Rum is my dad’s drink. Rum and Coke. Sticky and sweet. It hardly tastes like alcohol at all. It’s a liar’s potion. A denier’s potion. The smell of it makes me vomit. A few years from now, when my friends and I start going to bars with fake ID, they’ll suck back the Daiquiris and the Pina Coladas—bright, like liquid cotton candy. But I won’t order those. Give me Campari and soda or a gin and tocnic. Something bitter. So I remember what I’m doing.”

from ‘Thirteen Answers for Alateen’ by Susan Olding, from the anthology What my Father Gave Me, edited by Melanie Little, Annick Press, 2010

~

mud pies and pure design

“What I Want to Say”  by Pat Schneider

Well, I was playing, see,
in the shadow of the tabernacle.
I was decorating mud pies
with little brown balls
I found scattered on the ground
like nuts, or berries.
Until some big boy came walking by
and laughed. Hey,
don’t you know you’re puttin’ goat doo
on your mud pies? I bet
you’re gonna eat ’em, too!

That day I made a major error
in my creative life.

What I want to say is this:
I liked those little balls
on my mud pies. I was a sculptor,
an artist, an architect. I was
making pure design in space and time.
But I quit
because a critic came along
and called it shit.

—from Another River, by Pat Schneider

cars

It was once explained to me that those rusted clunkers you see in farm-yards are the modern day equivalent of the horse put out to pasture.

Supposedly a habit passed down through generations—when a faithful, hardworking nag gets to a certain age and can no longer pull that plough or take you by buggy to the general store, you don’t put it down, you retire it in a field of buttercups and give it all the fresh water it can drink.

Once cars began replacing horses, and it was the old Buick that was packing it in after years of loyal service, the car, so legend has it, was given the same kind of respect: a place in the backyard rather than the scrap yard.

True or not, I love this theory.

I get attached to cars.

From my first—Tommy, a gold Dodge Dart who I bought from an old boyfriend for a dollar and loved despite a broken tortion bar and fallen off exhaust, who my niece still remembers riding in as I drove her to Toronto for a week’s holiday. Good old Tommy had broken windshield wipers and no shocks and every bump made my niece’s head hit the roof but she was too young and too happy to be on this adventure with her eccentric aunt to suggest anything might be weird in a bad way.

Then there was Ernie. A dark green Volvo when I lived in England that drove me through the alps blasting David Bowie through all those claustrophobic tunnels. And the Datsun that played Joan Armatrading and Simply Red and which I drove into the ground. And the Camry, Peter’s car, which became our first ‘family’ car. Compared to what I’d been used to, I felt like a movie star when I drove it.

I should mention it’s not only my own cars that I form relationships with, but rentals. I take pictures of them at the end of holidays. Years later the picture means nothing. Silver Taurus. Blue Honda. Who cares? But at the time, I’m so grateful for the thing not getting a flat or overheating, for getting us around safely, that I find it hard to walk away without at least a silent nod of thanks.

~
This morning our old Nissan (unnamed, though in a certain light might be taken for an Edwin or Marcella), too old for re-sale, was picked up by the auto wreckers. When Peter saw my face he reminded me that they were going to “recycle” it, which, however sweet of him, sounded like what my parents said about Tipper the lunatic cat who no one but my ten year old self loved, who finally flipped his last lid and became ferocious, attacking indiscriminately, and who was taken away in a cardboard box one day “to go live on a very nice farm”.

The last time a car of mine was picked up by the wreckers, I convinced myself it was not going to be crushed or even recycled, but kept as a service vehicle for the scrap yard. Living out its last years in a dignified and useful way by shuttling workers to and from coffee breaks and shift changes.

And frankly, short of looking out the kitchen window and seeing the Nissan there in the garden amongst the rusting hulks of Tommy and Ernie, the Camry… amongst cedar saplings and blackberry vines and the memory of Bowie’s “Heroes” rattling round my brain… this is the happy, deluded image I choose for my most recent, faithful, and dearly departed friend.

what, you think this is easy?


Holy jeez, is that what I think it is?

And with a side of dust. My favourite.

Might get a better run at it from this angle.

It’s all about angles.

Actually, this was good.

Okay. This is where the rubber meets the road. Say goodnight little spider guy because I am an uncontrollable hunting machine—it’s in my DNA and there’s nothing I can do about it. It’s not sad, it’s nature, I’m wired to stalk my prey, roam the dark and horrifying wilderness all night if necessary; it’s either that or starve to death. It’s the foodchain, brother. Nothing personal, but you are one second away from being history…

What? Did somebody say dinner??
~

to name but a few

“… The Female Body has many uses. It’s been used as a door-knocker, a bottle-opener, as a clock with a ticking belly, as something to hold up lampshades, as a nutcracker, just squeeze the brass legs together and out comes your nut. It bears torches, lifts victorious wreaths, grows copper wings and raises aloft a ring of neon stars; whole buildings rest on its marble heads.

“It sells cars, beer, shaving lotion, cigarettes, hard liquor; it sells diet plans and diamonds, and desire in tiny crystal bottles. Is this the face that launched a thousand products? You bet it is, but don’t get any funny big ideas, honey, that smile is a dime a dozen.

“It does not merely sell, it is sold. Money flows into this country or that country, flies in, practically crawls in, suitful after suitful, lured by all those hairless pre-teen legs. Listen, you want to reduce the national debt, don’t you? Aren’t you patriotic? That’s the spirit. That’s my girl.

“She’s a natural resource, a renewable one luckily, because those things wear out so quickly. They don’t make ’em like they used to. Shoddy goods.”

—from ‘The Female Body’, by Margaret Atwood; Good Bones, 1992, Coach House Press

~