joey’s box

 

My newest nephew is almost two, which means he’s well into the book loving years, which means books from this aunt will be in his future.

I’ve already given him a few, one of the first being The Wonky Donkey, which has resulted in him forming a friendship with a local donkey that must now be driven past any time he’s in a car so that he can wave hello and shout heeeeehawwww.

This is the power of literature.

Am currently putting together a whole slew of books from my own shelves because a) I am thinning my shelves, and b) yes I have a collection of kid books, and c) I also happen to have one of those wonderful pre-paid Canada Post mailing cartons that will send eleven pounds of books to Joey’s mailbox.

M is for Moose  by Charles Pachter. Oh my god, I love this for its brilliant simplicity. And art. The art!  Each letter of the alphabet gets a mixture of painting and collage and the stories at the back that explain these seemingly  minimalistic pieces that actually contain SO MUCH. The key is to look long at each page. And there are games to encourage the looking. (How many moose, barns, Queen of Englands, etc. in the book?) AND A BUTTERTART RECIPE  that I have copied for myself because at some point Joey and I will need to discuss buttertarts. All the words are spelled Canadian, as in neighbour, colour, favourite, which is always refreshing, but the best part is that it’s the kind of book you can grow up with… and continue to love as an adult.

Ted Harrison’s O Canada, is an illustrated edition of the anthem, but as it was published in 1992, it’s in need of updating, which this aunt has happily done.

The anthem, btw, originally read: thou dost in us command… and was changed in 1913 to in all our sons command. Changed again (thankfully)  in 2018. The book also includes wee blurbs on each province.

 

Are You My Mother, by P.D. Eastman alhtough I continue to think of as one of my favourite Dr. Zeuss books.

 

The Moon Watched it All, by Shelley Leedahl.

 

Alligator Pie, by Dennis Lee.

 

Seaside Treasures, by Sarah Grindler, because one of my hopefulest hopes for Joey is that he grow up to adore the sea and all it has to offer, not only through its treasures of glass and shells, stones, feathers and driftwood, the sand sculpting, swimming and barefoot walking… but the breathing.

It is my absolute favourite place to breathe and this is a beautiful book to introduce to all kinds of waiting-just-for-him joy.

 

One Fish, Two Fish, Red Fish, Blue Fish, by you know who, who knows about hopping Yops and Yinks who like to drink and wink and the sheep who walked at night by the light of the moon, by the light of a star, they walked all night from near to far, and Ned and his bed and the thing we found in the park in the dark who we will call Clark and honestly I’m beginning to wonder if I can even part with this book at all.

If You Could Wear My Sneakers, by Sheree Fitch. Beautifully illustrated by Darcia Labrosse, the poems address fifteen of fifty-four children’s rights listed in the United Nations Conventions, including the right to an education, the right to enjoy your own language and culture, disability rights, all written in Fitch’s inimitable style. On the subject of war, for instance, and a child’s right to protection, the poem has elephants thundering past to… fight a battle, thump-galumphing off to war. Did you hear a small voice say… “What are we fighting for?” and goes on to address a child’s fears and thoughts, all in the voice of a young elephant. At the back of the book are brief discussions of the poems and what they each stand for.

In “The Stinky Truth’, a child’s right to express their opinion is celebrated…

“What do you think?
Do you think that I stink?”
said the skunk.
“Do you thunk that I smell?”
“Well, I think that you stink
but I think for a skunk
that you smell
incredibly
well.”

Another alphabet book, and another Ted Harrison book, ‘A Northern Alphabet’ done with his usual bright illustrations of northern scenes, each page devoted to another letter of the alphabet and chock full of words and places beginning with that letter, all of them relating to the north.

 

 

 

Mice, Morals, & Monkey Business, is a book of Aesop fables, stunningly illustrated by Christopher Wormell. Each double-page spread contains the moral of the story and illustration. At the back of the book, are the fables themselves. Again, this is one I’m tempted to keep. But, okay, fine, yes. The noble thing will be done. Into the Joey Box it goes. There should be a fable about noble book gestures.

 

 

Mixed Beasts, by Wallace Edwards. Again with gorgeous illustrations and verses about such mixed beasts as the bumblebeaver, the pelicantelope, the kangarooster, written by Kenyon Cox. Utterly charming and I suspect when read by Joey’s mum they will give Wonky Donkey some competition.

 

 

 

 

 

To top things off and to bring the poundage to eleven, and because books are best read with bread and jam, a jar of our homemade best.

P’s peach jam.

 

 

 

this is not a review: ‘savage fields’, by dennis lee

 

I’ve been doing some bookshelf cleaning — clearing out the excess to make room for new stuff. Only so much room and I really hate it when I can’t see what I have. Am donating or giving the prunings to various places and friends but before some of them go they will spend time in a new stack called “Stuff to Read Before It’s Definitely Given Away”.

Most recently plucked from the STRBIDGA pile was Dennis Lee’s Savage Fields, published in 1977 by Anansi. Its subtitle: An Essay in Literature and Cosmology  did NOT help it win my attention over the years and more than once I thought to just ‘donate’… but something made me keep it and I’m so glad I did.

Less essay than discussion of Lee’s theory that everything is either of (or about) the earth or the world,  including stories. (Earth being anything natural… World being anything man made.) The savage fields of the title refers to the friction caused when earth and world collide, which of course they constantly do.

His interest is in how that happens in literature, and so he dissects two books as examples:

The Collected Works of Billy the Kid, by Michael Ondaatje (a combination of prose and poetry in which Lee theorizes that Billy is trying, constantly, to kill the earth and so is, in fact, killing himself)

and

Beautiful Losers, by Leonard Cohen (one of two novels by Cohen, which Lee suggests is about freeing a repressed Canadian history through liberation of thought)

I will forgive that both books are by men. Dennis Lee is himself a man. This is often how things go. I will forgive it also because Savage Fields is a fascinating piece of work nonetheless.

I’ll admit that I’ve read neither Beautiful Losers nor Billy the Kid.  The former strikes me as incomprehensible and the latter not up my street but, oddly, I really liked reading about them through Lee’s lens. I enjoyed his analysis and the way he takes the story of each book apart, illustrating his theory of how we continue to screw up the earth because, essentially, we can’t accept beauty when it comes our way, that we have this need to alter it, put our own stamp on it and make it ‘better’. (Better than what? It was trundling along just fine until we got involved.) Lee says that we turn earth to world because we can’t help it and even while knowing on some deep level that we are screwing ourselves.

We’ve been more or less doing this by various means since we invented agriculture, which is when we stopped living in harmony with ‘earth’.

Another of Lee’s theories is what he calls the Isis Continuum, which, essentially, is happiness (Isis being a goddess of Egyptian mythology, wise and unconditionally loving). Again, we, for some reason, often refuse the simplicity of happiness, creating chaos instead as if not believing happiness is truly possible.

Lee posits his way through both books, offering excerpts and outlines of the stories, analyzing characters and actions.

Savage Fields isn’t a difficult read, but it’s an unusual one. One that takes a pot of tea and a Sunday morning to find your rhythm with (best read whole or in two parts, but definitely not fragments). It’s the kind of book you want someone else to read so you can talk about it with them and apply Lee’s theories, to find the savage fields in literature or at least to keep the notion of it in mind.

“World and earth are shown as being at war, yet they keep turning out to be the same thing. How can we resolve the contradiction?… To conceptualize this unusual state of affairs takes a certain amount of effort — indeed, a willingness to bend one’s mind in unaccustomed directions.”

“I started this book in 1972. I knew the title before I knew what the title meant. There are months of drafts between the sentences. The voice kept sounding false, excluding too much of who I was. Now I look at it, and find I have scarcely made a beginning.”

“Clear thought is an achievement of difficult beauty.”

The kind of book where most excerpts are pointless out of context. The kind of book that isn’t easy to quote from and details are soon forgotten, yet you feel inexplicably changed for the better for having spent time with it because suddenly ‘something’ feels clearer. Surely one of the best reasons for reading.

Dennis Lee was a founder of House of Anansi, which prided itself in the late 60’s and 70’s on its difference, its experimental style, and its interest in the Canadian story.