whoa nellie!

 

I’m not a joiner of things, not a clubbish person generally. This has always been the case, although when I was about ten I invented The Boogie Woogie Club and invited friends to join. Amazingly, on opening day, a few showed up in my parents’ basement where we sat around until someone… Kathleen Erickson possibly… said so what’s this club about… I mean what do we do?

Good question, Kathleen, I thought. But I didn’t have an answer. To this day I have no idea what the Boogie Woogie club was supposed to be or why I’d thought of starting it. I do remember seeing the words boogie woogie  in a song title in one of my lesson books for accordion and, knowing me,
I probably just wanted to incorporate it… somewhere. A club with no purpose would have seemed as good as anything.

The club disbanded shortly after Kathleen’s unanswered question and we headed over to the school to do long jumps in the sand pits. Or similar.

Which more or less brings me to 2018.

Where I find myself part of another group, only this time I’m not the inventor (which bodes well for the group’s future).

Also, this group has that essential ingredient: a purpose.

The Wild Nellies is the result of two women having coffee one day and wondering what they could do to benefit the lives of other women, specifically women moving on from abusive relationships. What they landed on was the idea of women celebrating women through various disciplines — visual art, music, literature, sharing their own work or the work of someone that’s inspired or influenced them in some way. The event would be free, they decided, and held in one of the area’s most wonderful spaces, and all of it would be done to bring attention to the needs of a local women’s shelter.

That they take their name from Nellie McClung — writer, legislator, suffragist, activist, public speaker, one of Canada’s original feminists, and a member of The Famous Five, who met over tea to change the political shape of this country by having it declared (after extraordinary campaigning) that women were indeed ‘people’ — is most fitting and wonderful (not the least of which wonderfulness being the coffee/tea origins).

Women have always found ways around being invisible, of having no voice, of being ‘talked over’ and told to be quiet, that their passion and their interest in fairness is too ‘shrill’—

(A woman who knows what she wants and gets it, is often seen as headstrong, difficult, a force of nature, while a man who knows what he wants and gets it, is a man who knows what he wants and gets it.)

—Yet despite not having their voices listened to, and the sometimes even greater obstacles of being isolated, unable to speak the language, being penniless, afraid for their lives, or tied down with childcare, women continue to find ways to meet, to gather, to band together and bring about change for the betterment of not just themselves, but for all women, for community, the benefits of which ultimately reach beyond gender.

Which brings us to 2018 again.

And the announcement today of new legislation that requires employers in Ontario to pay all workers equal wages for equal work. While it has, for some time, been technically illegal to base wages on gender… until now it’s been okay to pay part-time workers less than full-time for the exact same job. And those part-time workers are often women.

It seems there’s no end of bits to take care of and so the tradition of women gathering continues.

Put the kettle on!

One of the the things I love best about Nellie McClung is that she used her fiction, her writing, as a springboard to discuss relevant issues of the day. This was unusual for a woman at the time. Women were meant to write about fluff and leave it at that.

And it’s what I love best about her namesakes, The Wild Nellies, who propose to do the same thing… use their art to bring attention to important issues.

I’m so happy to be a small part of their first ‘performance’ at The Robert McLaughlin Gallery on April 8th, along with eleven other women who will use their artistic voices to honour and celebrate the power of female creators in sculpture, film, theatre, illustration, literature, music and more, and in the process hopefully be part of that women’s domino effect that continues to try and make this pale blue dot a fairer, safer, and better place for us all.

Note: I have no problem at all making an exception to my otherwise anti-clubbishness ways for these chaps. Also, I think long-jumping  might actually kill me at this point.

 

 

hello/bytown (aka: how to see only the slightest, slivery slice of ottawa)

 
 
The easiest method is also my favourite:

hang out at the gallery for three days.

You will learn, among other things…… that the gallery cafe has

a) an excellent salad bar, and

b) a patio

that AY Jackson was all for women in the arts, which is more than can be said for many other chaps in the business

that the Canadian Photography Institute is so worth spending at least an hour or two in; currently showing some important work in prints, installations and video

Prudence Heward didn’t paint sissies

the film by Rebecca Belmore recommended by the staff member who, when I asked a rather simple question, decided to answer by walking me through the gallery via all manner of hidden corridors and en route told me I MUST SEE THIS FILM BECAUSE IT’S SO POWERFUL, is  actually astonishing.

another staff member who casually mentioned the experimental farm is worth seeing, that she loves the way the arboretum changes with the seasons

and a random someone who overheard my conversation about the arboretum and chimed in that if I’m looking for nifty places that are closer by, then I MUST go to the lanes

which I then did and found that there is a wonderful stationery shop in the lanes, great architecture, peaceful nooks, crannies, patios and outdoor art

you will learn, at the Royal Canadian Mint, that they commission Canadian artists to design their ‘art coins’, often via open competitions

and that the Olympic gold medal is silver on the inside with only a veneer of far-too-expensive-gold; the bronze is also veneer with silver on the inside (but this time to make it worth more than if it were entirely bronze)

if you’re lucky you’ll find the pub whose name I’ve forgotten that makes excellent fish tacos

and it’s not the Irish pub

or the fish place

you will crane your neck in one library and spend an hour in another discovering Lucy Lippard, writer and art critic who once wrote to her editor:  “Herewith the twenty-two reviews. Hope they make whatever the deadline is. Slight delay as I had a baby last week.”

And you will find a hornet’s nest of diaspora loveliness at the International Pavilion... and this, by friend and sculptor, Erika Takacs.

a patio on a hill, where staff do everything to make you comfortable on a chilly day… heaters, blankets, so much kindness. the market of course… this is the super condensed version (sans cheese)

you will, like the goofy Canuck you are, embrace what’s Canadian

And fall in love in (at least) two languages.