this is not a review: this is a list of unexpected literary connections having to do with escape, rum, and well-intentioned budinskis

 

Somewhere in the process of my December reading it occurs to me that three very different and unlikely books share a series of similar elements.

Don’t you just love it when that happens, when you think… rum, again?? And it all begins to feel like a kind of reading serendipity is happening.

It begins with The Book of Eve, by Constance Beresford-Howe. Written in 1973… it remains the classic, in my opinion, running away story. Woman fed up with boorish husband, chooses instead to live in a damp bare bones Montreal basement apartment, with a feral cat outside a window that’s impossible to open and a slightly mad, slightly inspiring Hungarian living upstairs. Hard to see as uplifting but of course it is. She is free, not of life’s yins and yangs, but free of those yins and yangs where the source is boorishness and which grate as intolerable because they are the yins and yangs of a life that is not of her choosing. Makes such a difference. The upstairs Hungarian is the well-intentioned budinski. There is rum (or is it whiskey?), also sherry. There is scavenging in order to survive, there is rain and redecorating with scavenged objets that indeed become a kind of art representing this new life. There is the confusion of what I have done? and there are answers.

— The book to read if you, too, have dreams of living in a damp basement apartment with not a lick of money other than what you can pawn your scavenged bits for. Or if you merely admire simplicity and living one’s truth.

 

Next up, One Woman’s Island, by Susan Toy, which surely calls to me as an antidote to all that damp draftiness (see above). The story takes place in the Caribbean on the island of Bequia, which is an almost character itself in the way Toy offers not only island customs and sounds, fragrance, colour, but the lilt of language, the tinkle of ice in a rum-filled glass. She also gives us a peek at the ex-pat experience in all its happy hour island vibe and the sense of finding like-minded souls, but also the sometimes sense of claustrophobia, lack of meaningful ways to spend one’s time, and the major adjustment to another culture. The story is about a woman who leaves Canada after the death of her husband and heads to Bequia where she rents a house for six months, intending to simply relax. Turns out relaxation is limited given the dinner and drinks invitations from ex-pats, the occasions of possible murder, various other dangers and intrigues, and her own well-intentioned budinski tendencies toward a neighbouring family. Toy has a dry sense of humour that infuses the narrative voice with a conversational tone and makes for an easy, enjoyable, and compelling read. Also, Toy’s respect for the island comes through in the way she weaves references to serious issues such as literacy, island politics, traditions, and warns of the need for ex-pats (and tourists) to understand that life for the locals, while appearing to mainlanders as possibly needing improvement, is a life the islanders love. Budinskis butt out.

— The book to read if you want a sweet slice of winter armchair travel. (Also, Toy, who actually does live part of the year on Bequia, and is a bit of a foodie, infuses much cooking and eating throughout the book and thoughtfully includes recipes for items enjoyed by the characters at the end of each chapter. I will try several.)

 

Finally,  Lynn Coady’s Watching You Without Me,  The budinski connection is huge here. His name is Trevor and he’s employed to take Karen’s intellectually handicapped sister Kelli for walks twice a week. Karen has been living in Toronto for many years but comes home to Nova Scotia after the death of her mother, in order to look after Kelli and make arrangements for her future. Trevor, the personal support worker, has an excellent relationship with Kelli, who clearly adores him and vice versa. He is helpful re info on the home care system and long term care residences, all of which Karen is grateful for. Until. Without giving too much away, let’s just say Karen learns she should have followed her own instincts, and this is where the escape element comes in. Although I won’t say in which direction said escaping occurs. I will say that rum features large throughout.

— The book to read if you’re a caregiver. A manual of both what to do and not do.

 

 

(at) eleven with susan toy: island in the clouds

 
When I met Susan Toy through the Humber School for Writers online program some years ago, the first thing I learned about her was that she was obsessed with food and books. I’ve since learned that cats and coffee are a close third. [They may well be first…]

The other quality that made her stand out was a need/desire/talent for sharing information. I used to call her our ‘clipping service’. [For readers of a younger vintage, I’ll clarify: clipping service = google alerts with scissors and newsprint.]

We connected for all of the above reasons but also because she lived on an island in the Caribbean. And so had I for a short while. We traded some ex-pat joys and commiserations in between commiserations about our works in progress.

Her WIP eventually became Island in the Clouds, a murder mystery set on the island of Bequia, which Susan has called home for close to twenty years. It begins as all island mysteries should: with a dead body in the pool playing havoc with the pH balance. Toy writes with tongue-firmly-in-cheek, a pull no punches style that shows island life from an ex-pat perspective not afraid to laugh at itself while wringing its hands at the tribulations of island bureaucracy, customs and general shenanigans. The sounds, scents and sights of island life are always just there, not too far in the background. Ice-clinking is big here…

13456503Her protagonist, like so many ex-pats, is running away from a bad deal back home, but no one asks questions on Bequia; this is part of its charm. Days are made up of food and drink and gossip and oh yeah!  the need to make a living. But don’t be fooled by the palm trees and laissez faire vibe, there’s also a lot of nastiness going on and duplicitous friendships and, like any small town, everyone knows everyone else’s business, even if they don’t always talk about it. A lot of smiling through one’s teeth. Add island politics—and this is no small thing—and the result: when a murder is committed, the question is not so much who did it  but who’s willing to admit who did it. Everyone’s scratching someone else’s back.

If you’ve ever lived on an island, you’ll smile and nod your way through the familiar. If you haven’t, but think you’d like to, it’s a good eye-opener. And if you read it while on an island, even better. The mystery element is but a bonus in my view. For me, it’s all about the place.

As always, in my (at) eleven series, the Q&A is followed by a menu chosen by me of a meal the book most inspires. Or, put another way, the perfect nosh while reading, because food and books just go together…

“Eating is our earliest metaphor, preceding our consciousness of gender difference, race, nationality, and language. We eat before we talk.” ~Margaret Atwood from The Can Lit Food Book

And now, may I introduce… Susan Toy, island reporter, on-line pal and oh-so-generous clipping service…

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1.   What literary character did you most identify with as a child, or want to become?

ST—It’s a toss-up between Harry the Dirty Dog and Curious George.

2.   At age fifteen, what were you reading?

ST—Everything I could get my hands on from the library about Down Syndrome, because the daughter of a family friend who played with my younger sister and me when they came to visit had me intrigued. I thought I might like to work with Down Syndrome children when I grew up. Then, that summer at the cottage, I read through an enormous stack of Harlequin romances with a babysitter the same age as me who had been hired to look after the neighbour’s children. I know … weird. I didn’t really discover real literature until after that year.

3.   Do you find there are recurring themes in your work, generally, that surprise you?

ST—The main issue that comes up, and this is mainly in my short stories, is of being trapped in a situation and not being able to get out of it. Reconciliation is another.

4.   What is a favourite passage from any book, and why…

ST—Finally! Someone has asked me this question, and now I can tell everyone about this wonderful passage from Ivan Doig’s Dancing at the Rascal Fair:

“There in the gap, Herbert whoaed the horses.

What had halted him, and us, was a change of earth as abrupt as waking in the snow had been.

Ahead was where the planet greatened.

To the west now, the entire horizon was a sky-marching procession of mountains, suddenly much nearer and clearer than they were before we entered our morning’s maze of tilted hills. Peaks, cliffs, canyons, cite anything high or mighty and there it was up on that rough west brink of the world. Mountains with snow summits, mountains with jagged blue-grey faces. Mountains that were free-standing and separate as blades from the hundred crags around them; mountains that went among other mountains as flat palisades of stone miles long, like guardian reefs amid wild waves. The Rocky Mountains, simply and rightly named. Their double magnitude here startled and stunned a person, at least this one—how deep into the sky their motionless tumult reached, how far these Rockies columned across the earth.”

This is one of the best descriptive passages I’ve ever read, because Doig put the exact words to my feelings the very first time I saw the Rocky Mountains, when I moved to Calgary in 1978. This passage still causes goosebumps.

5.   What is the writer’s role in society?

ST—I attended a seminar led by Aritha van Herk in which she said that the writer translates or interprets for the reader.  That’s the way I think of writers—we are translators and interpreters of experience.

6.   Island in the Clouds  begins with a wonderfully candid description of, and introduction to, the ‘character’ of contemporary Bequia via the book’s narrator. In this way, we meet the island before we meet our protagonist. How important was ‘place’ to you in writing this story? And the accuracy of place… versus a fictitious island, for example.

ST—Place was the most important aspect of this novel. It was suggested by early readers that the setting be fictitious, because I was perhaps a little too accurate—and honest—about the island. But I knew the greatest appeal of this story was that it was about Bequia, so I never considered telling the story any other way.

7.   Some elements of island life, especially local politics, are not always shown in the best light. Islands are small places… how was the book received by locals?

ST—I’ve received mixed reviews, but mainly positive comments, mostly from foreign tourists and ex-pats who say that I’ve nailed the place and what goes on here. I believe I portrayed the general local population in a generally favourable light. I know a few (very few) local people have read the book, but no one has criticized me for what I’ve written. I was told that one foreigner thought I had been too harsh in my depiction of the police – until she was robbed and had to deal with them herself. Then she said I had not been harsh enough. (I gave a signed copy to one of the gardeners who works for Dennis, and he said, “Sue, I will cherish this for the rest of my life!” That choked me up!)

8.   What brought you to Bequia?

ST—We first came to Bequia as tourists in 1989 after a customer at the Calgary bookstore where I was working suggested it as a possibly vacation spot. We were hooked from that very first time, kept coming back every year, and before we knew it we bought land, built a house, and moved here permanently in 1996.

9.   Any challenges/differences writing a male protagonist?

ST—No. Geoff’s was the first voice that came to me when I began writing this novel and that seemed quite natural for the story I wanted to tell. The second novel in the series is about a woman, and I really don’t notice that much difference writing in her voice from writing in the voice of a man in the first novel.

10.  Your background is almost entirely industry-related so you were not unfamiliar with the process of editing, publishing and marketing. You also developed your own imprint and chose the self pub route.  I’d like to think you knew the ropes so well there were no surprises…[ but I’m guessing there were surprises]. Would you share a few?

ST—No real surprises as far as publishing, editing and marketing were concerned. In fact, I discovered that I enjoyed the publishing end of the business so much that I set up a new imprint, IslandShorts, and am now ePublishing short fiction, poetry and novellas by other authors. I will likely only ePublish from now on, with a limited edition print run to pre-sell, so I won’t be stuck with unsold stock, as I still am with the first novel.

I have to say though that the biggest surprise of all was how little support I received from colleagues in the business. NO ONE came forward to say, Here, let me help you promote and sell your book like you’ve done for me. All the promotion ideas were my own; all the attempts to get publicity were my own; trying to get distribution in bookstores and setting up events were as a result of my own efforts. That was extremely disappointing, especially as I had been promoting and assisting so many other authors all along (and still do), and numbered many authors, booksellers and librarians among my personal friends. The reason I didn’t receive equal support was clear to me in hindsight—I’d gone the self-publishing route, and there’s still a lot of prejudice about self-published books and their quality … even though everyone knew I’d done a very professional job on this book. Other self-published authors I met along the way have supported me, but not the traditionally published authors. So that was the biggest surprise of all, and I’ve kept quiet about it until now, but since you’ve asked … A big disappointment for me.

11. Choices:

Vanilla or Chocolate? Chocolate

Ocean or lake? Both. I’m a swimmer.

Atwood or Munro? Ummm … Neither. Joan Barfoot

Pen or keyboard? Keyboard

Poetry or song? Song, because I have a musical background, but I do prefer the poet songwriters, like Van Morrison, Bob Dylan, Paul Simon

Mango or papaya? Banana

eBook or Paper? eBook

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Matilda’s Suggested Menu for Island in the Clouds:

Turtle soup, goat stew, tropical fruit salad and anything in a glass with ice.

Lots of ice.

And don’t be shy with the anything.

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Susan M. Toy has been a bookseller, award-winning publishers’ sales rep, author impresario and publishing consultant. She has recently begun ePublishing short fiction, long-form creative author picnonfiction, and poetry under the imprint IslandShorts. Her eBook, That Last Summer, a novella set in Ontario cottage country in 1965, has just been released. She divides her time between Canada and the Caribbean island of Bequia and blogs at Island Editions.

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