occasionally locally social

 

I’m not a social person. Let’s just get that straight, because what follows may lead some to believe I am. But… I am not. Blips in scheduling sometimes occur, blips that have me gadding about in ways completely alien to my true nature. Happy blips in this case.

Thursday: Writing workshop at the shelter and there is talk of a spaghetti dinner on Saturday to celebrate the birthday of a one year old. I am invited.

Thursday Night: Eve of International Women’s Day and I am at the Robert McLaughlin Gallery eating scrumptious Berry Hill Food kabobs and food in various other forms and quaffing free red wine. (Also being one of thirty five women honoured for commitment and support of the Denise House shelter. Still feeling a little emotional about that one.)

Friday: International Women’s Day and I am at Soebys buying bunches of tulips for a couple of gals who inspire me with their passion in all matters of art and life and kindness. We sit down to lunch over bowls of seafood bisque, crusty bread, and endless, truly endless, chat.

Saturday: I am at the Visual Arts Centre in Bowmanville, listening to Jane Eccles tell the stories of women from all walks of life, women whose dresses she’s painted over the past fifteen or so years. There’s something about a disembodied dress that begs story, that reminds us of the difference yet sameness we all share. I have a soft spot for textile (including upholstory), the way fabric holds things, the essence of memory it conveys.

Saturday night: I drop by the shelter for a spaghetti dinner that is nowhere near ready and I can’t stay until it is but I chat for an hour anyway with a couple of residents and so begins a series of spaghetti sauce secrets that takes me to something called passata which is so apparently ubiquitous that I’m not sure I know how I’ve managed all these many decades without it.

Sunday: I have been invited to a UAW hall in Oshawa where I listen to women speakers, women affected by the loss of the GM plant, who with brave voices encourage both women and men to find ways ahead, to remain positive but to challenge governments, to question when necessary and, (my favourite bit) to be not only trail blazers, but path wideners for each other. Path wideners.

Monday night: I am at the shelter again where I bump into a few of the women from last week’s writing workshop. There are hugs and stories about birthday cake (and spaghetti dinners that may or may not have materialized) and visits to Ripley’s Aquarium and I have to bite my tongue because I have strong feelings about how I’d like Ripley’s to better use their power to more accurately portray the oceans, i.e. how there are areas of plastic twice the size of Texas, and how wildlife is dying from ingesting it all, not to mention the lingering effects of oil spills, but there is a child who’s recently had to leave its home under the worst kind of circumstances and whose future is up in the air and who lovingly embraces a stuffed blue shark as I speak to his mother and so I smile and simply say nice shark and then I have a brief chat about fish, generally, with a couple of kids. No mention of plastic. Not yet.

 

whoa nellie!

 

I’m not a joiner of things, not a clubbish person generally. This has always been the case, although when I was about ten I invented The Boogie Woogie Club and invited friends to join. Amazingly, on opening day, a few showed up in my parents’ basement where we sat around until someone… Kathleen Erickson possibly… said so what’s this club about… I mean what do we do?

Good question, Kathleen, I thought. But I didn’t have an answer. To this day I have no idea what the Boogie Woogie club was supposed to be or why I’d thought of starting it. I do remember seeing the words boogie woogie  in a song title in one of my lesson books for accordion and, knowing me,
I probably just wanted to incorporate it… somewhere. A club with no purpose would have seemed as good as anything.

The club disbanded shortly after Kathleen’s unanswered question and we headed over to the school to do long jumps in the sand pits. Or similar.

Which more or less brings me to 2018.

Where I find myself part of another group, only this time I’m not the inventor (which bodes well for the group’s future).

Also, this group has that essential ingredient: a purpose.

The Wild Nellies is the result of two women having coffee one day and wondering what they could do to benefit the lives of other women, specifically women moving on from abusive relationships. What they landed on was the idea of women celebrating women through various disciplines — visual art, music, literature, sharing their own work or the work of someone that’s inspired or influenced them in some way. The event would be free, they decided, and held in one of the area’s most wonderful spaces, and all of it would be done to bring attention to the needs of a local women’s shelter.

That they take their name from Nellie McClung — writer, legislator, suffragist, activist, public speaker, one of Canada’s original feminists, and a member of The Famous Five, who met over tea to change the political shape of this country by having it declared (after extraordinary campaigning) that women were indeed ‘people’ — is most fitting and wonderful (not the least of which wonderfulness being the coffee/tea origins).

Women have always found ways around being invisible, of having no voice, of being ‘talked over’ and told to be quiet, that their passion and their interest in fairness is too ‘shrill’—

(A woman who knows what she wants and gets it, is often seen as headstrong, difficult, a force of nature, while a man who knows what he wants and gets it, is a man who knows what he wants and gets it.)

—Yet despite not having their voices listened to, and the sometimes even greater obstacles of being isolated, unable to speak the language, being penniless, afraid for their lives, or tied down with childcare, women continue to find ways to meet, to gather, to band together and bring about change for the betterment of not just themselves, but for all women, for community, the benefits of which ultimately reach beyond gender.

Which brings us to 2018 again.

And the announcement today of new legislation that requires employers in Ontario to pay all workers equal wages for equal work. While it has, for some time, been technically illegal to base wages on gender… until now it’s been okay to pay part-time workers less than full-time for the exact same job. And those part-time workers are often women.

It seems there’s no end of bits to take care of and so the tradition of women gathering continues.

Put the kettle on!

One of the the things I love best about Nellie McClung is that she used her fiction, her writing, as a springboard to discuss relevant issues of the day. This was unusual for a woman at the time. Women were meant to write about fluff and leave it at that.

And it’s what I love best about her namesakes, The Wild Nellies, who propose to do the same thing… use their art to bring attention to important issues.

I’m so happy to be a small part of their first ‘performance’ at The Robert McLaughlin Gallery on April 8th, along with eleven other women who will use their artistic voices to honour and celebrate the power of female creators in sculpture, film, theatre, illustration, literature, music and more, and in the process hopefully be part of that women’s domino effect that continues to try and make this pale blue dot a fairer, safer, and better place for us all.

Note: I have no problem at all making an exception to my otherwise anti-clubbishness ways for these chaps. Also, I think long-jumping  might actually kill me at this point.