summer postcards — the dna in h20

july24.6 - Copy

Earliest beach memory is picnics, my mum and dad coming home from work, he from a factory, she from the warehouse of a local Towers department store, neither of them easy jobs and I realize now they must have been tired but maybe, like me, never too tired for the beach, so they’d make coffee for one thermos, koolaid for another, throw some bread, meat, cheese, fruit and veg from the garden into a plaid metal cooler and then my dad would start up the little black oldsmobile he called fatso. It was the sixties.

The only other things we brought were towels and a blanket to sit on. The idea of needing anything to amuse ourselves surely never entered their minds, or mine I guess. After all, there was The Lake. And sand. Shells and pebbles and the endless search for beach glass. There was food to eat and clouds to look at. And there was the effort it took to pretend you knew how to swim, thinking no one would figure out you were still touching bottom. My sister, much older, said she’d learned by being tossed into the lake. I wanted to avoid that lesson.

Most vivid beach memory is the night a storm was brewing. My dad and sister were swimming way out in the lake when big rain and thunder started. My mum was frantic, waving, shouting for them to come back. My dad was laughing and waving from a distance. I don’t know what my sister was doing.

Same beach a few decades later. Me and my mum picking rosehips. My dad gone, my sister too, a decade before him. My mum would make a tea blend with the rosehips, adding (also hand picked) calendula, chamomile, linden, whatever she fancied in the moment, whatever she found in season.

Pictured above: the scene a few days ago. Different beach, entirely different body of water. The grandchildren, great grandchildren and great great grandchildren of my parents, most of whom they never met, and watching them (I’ve since learned to swim for real by the way) I see new watery memories being made and can’t help think there’s something deeper that runs through generations, that whether people have actually met in life or not isn’t what determines how much they carry of each other, how much they already know of their history without even trying.

summer postcards – too posh for words

napkins

It’s a funny thing, the how of things remembered.

I remember making these napkins seven hundred at least years ago on a sewing machine I no longer have and that the fabric is a Ralph Lauren print, which I bought from a remnants table not because of Ralph but because… blue and white. I used to have a thing for blue and white (now more drawn to turquoise, orange, yellow and green). Children with mustardy faces who now have messy children of their own used them daily to wipe that mustard and more from lips and hands and while I wouldn’t advise looking too closely, they’ve held up well (maybe thanks in part to the magic of Ralph, not to mention the magic of line drying in the sun) and I remember too a certain few folk for a patio lunch one summer day who snorted when the cloth napkins came out, insisting I needn’t treat them specially, that they weren’t above using paper like everyone else and how for a moment I had no idea what they meant by ‘treating them specially’, assumed some kind of joke going on over my head then found out they were sadly serious, that the napkins meant something on a level I couldn’t de-code and when I tried to assure them I wasn’t fussing (because this was becoming A Thing with them), that we used these napkins all the time, that we never used paper, they took even greater offense at what they assumed was a lie.

I no longer see those people (surprise!), but the napkins (and the lineage of children with mustardy faces, also a clothesline) are still happily part of our daily lives, summer, winter, fall, and spring.

summer postcards — see glass

glass.birds

Various forms of found glass keep crossing my path, old blue jars dug up in the garden, an unusual piece of pirate glass on the shore, a whole little village made of bottles, and at the farmers’ market (on the sprawling lawn of a farmhouse where the owners make our newest addiction: their excellent pizza), I stop by a table where a woman and her grandson sit behind various crafts fashioned from seaglass. Did she find it all herself, is it tumbled, is it all from PEI, even the tiniest pieces because you hardly ever find tiny pieces here... I ask, trying not to sound like I’m filled with suspicion that maybe she isn’t a true glass forager but then she answers, so sincerely, (yes, no, yes, and yes) and the conversation easily turns entre nous in that way it often does when you find yourself connecting with mutual appreciation, a kind of recognition almost, and her grandson, eight or nine, waves from the chair beside her and tells me how he hunts glass with his gran for hours and how he puts what he finds into little glass jars of sand, which he sells for $5, and so I buy one for family in France, who were visiting last year but I’m thinking surely the sand has washed out from between their toes by now and needs to be replenished. And I buy a framed picture as well, tiny seaglass birds on a wire because Cohen’s words are part of the soundtrack of my summers.

summer postcards: lingering skies

Dear Moody Mornings that conspire to keep skies grey long enough to insist I linger in bed fluffed with pillows and layered with pages instead of leaping up to embrace a sunrise or walk in your morning magnificence and while I am grateful for the joy of leaping I remind myself to bow down too to the yang of your yin and accept the colour of your sky as the kindness it is. A bucket of thanks is what I’m trying to send you.

img_20210929_1659357 (2) - Copy

summer postcards: red

 

DSC01747_1

Red is the colour of berries I can’t eat and of cherries I can. Of apple skin and lipstick I don’t wear. The colour of certain leaves in Fall and sometimes of boats and toys and rubber boots. Red is the colour of a tee shirt I wear to bed and a girl’s fairy tale cape. It’s the name of people with red hair and a homonym for read. A sound relative of rid and rad and rudder. Red is the colour of hot peppers and robin breast, of cardinal feather and crayons and less commonly chalk. It’s the colour of roses and drama and paint (a woman once told me she painted her garage door bright red after her husband died, she doesn’t know why) and nail polish and rouge. Is rouge still a thing by some other name and why do women (not men) rouge their cheeks, paint their faces like a garage, is it because they’re so disillusioned and pale from the weight of injustice, of patriarchal society, of the news of the world, their own world, that they have to fake a happy glow?

But back to boats — I’m glad mine is turquoise.

 

 
 

summer postcards: road trips

bertha

Bertha Benz, was the first person to make a long distance road trip (106 km in an ‘experimental’ Benz ‘motorwagon’, maximum speed, 16 km/hour). She made the trip with her two sons “and without the permission of her husband Karl,” inventor of the world’s first car. Her reason, she said afterwards, was that she wanted to visit her mother but the truth of course was that she wanted to show Karl, and the world, that road trips can be jolly good fun.

May I just add that the the only thing missing from the account of Bertha’s historic outing is what she ate en route because the best part of any road trip is surely the stopping to eat. This is certainly true from memories of my own radishes-and-homemade-rye-bread-koolaid-in-one-thermos-coffee-for-my-parents-in-another-climb-the-granite-boulders-for-a-nice-picturesque-spot-to-eat-overlooking-highway-11-on-the-way-to-Muskoka roadside picnics when such stops were possible… to the can’t-go-anywhere-so-eat-cheese-sandwiches-in-a-cemetery version of more recent times, and a thousand in between and because I honestly can hardly remember a meal in any resto that I’ve loved more than some of those impromptu noshes.

I’m suddenly feeling compelled to write a more complete version of Bertha’s story, one that includes a hamper.

summer postcards: the joy of wallflowers

wall1

I am the happy wallflower who stands by the cheese table trying not to make eye contact and when someone bounds over all breathless gaiety (about???? I never know) and absolutely no interest in cheese (because I would LOVE to talk about cheese), asking some ridiculously inane question such as how are you? while looking past me to see if they’re already missing something on the other side of the room I pretend they’ve asked me something interesting, something about cheese perhaps, and answer that instead and they soon go away.

p.s. I realize the picture looks like a floor but it’s actually a wall and I regret not taking a wider shot to make that obvious so this postcard could have been sent without a p.s.

 
 

summer postcards: sometimes, on a friday night, when you are very young, you learn a thing that lasts forever, only at the time you have no idea that’s what’s happening

moonshellA million years ago when I first left home and moved to Toronto I met a woman, a potter. She had her own studio. I wasn’t yet twenty and she might have been twenty-four, twenty-six, something ancient…. I remember she was ancient.

A group of us were having dinner somewhere and at some point that seemed still early to me, the potter announced she had work in the morning so she would be heading out. But we were having such fun, and it was Friday, why would she want to leave? And what did she mean: work in the morning?  Tomorrow was Saturday and she worked for herself, no one was telling her what to do. I said as much, hoping it would convince her to stay but she explained (in the way of ancient people) that that was just the point, that if she didn’t impose discipline on herself there was no one out there who would. And then she’d get nothing done.

She wasn’t defensive or condescending about it and she didn’t say it from any kind of *aren’t-I-clever* place. It was simply the way it was.

I never saw this person again and have no memory of what she looked like, but I’ve never forgotten what she said and it wasn’t until decades later when I began working from home that her words, still rattling around my head, suddenly rang crystal clear.

“When I think about what sort of person I would most like to have on a retainer, I think it would be a boss. A boss who could tell me what to do, because that makes everything easy when you’re working.” — Andy Warhol

 

summer postcards: I saw these questions somewhere and answered them because I love everything about the Where and the How of the places each of us live and could talk about it almost endlessly (but not to worry… I’ve kept this short)

curtains - Copy

One thing you love about your house.

The curtains billow in a breeze.

One thing you’d like to change about it (that is changeable).

If my bathroom was bright green and white or turquoise and white (or possibly bright yellow and white) tiles I wouldn’t complain.

And one thing you’d like to change about it (that is not changeable).

A place to put up an indoor winter clothesline (but that would require a proper basement and one of the things I love is the rather improper basement).

Where does the sun rise and set?

Rises behind the forest across the road where I’m told there used to be a mill — the millpond is just around the corner and has a bench for sitting and trout for fishing. I can see the sun rise from my bedroom and the light also floods the living room and greets me in a most delightful way when I go downstairs. It rises above 200 berry bushes and a meadow of wild thyme.

What does your kitchen most often smell like?

Currently possibly cat food as our cat recently had dental work and there are sometimes six bowls of different flavours and textures (pate, gravy, gravy and chunks) spread out for her to nibble on as she fancies. This is the equivalent of giving ice cream after tonsils.

Where to do you like to sit (or be) when it rains?

In the cottage, attached to the kitchen. The cottage is where the curtains billow.

Do you have a small sanctuary of your own, a chair, a window, a room?

Many. Each serving a different purpose.

How do you know you’re home?

I read something once that said the trick is to find a place where you fit. That’s the whole enchilada right there. When you fit, everything feels right and looks beautiful. And the thought of bathroom tiles is insignificant to the pleasure of being able to breathe. When you fit, so does everything else.