leonard cohen

this is not a review: ‘savage fields’, by dennis lee

~ carin ~ Leave a comment

 

I’ve been doing some bookshelf cleaning — clearing out the excess to make room for new stuff. Only so much room and I really hate it when I can’t see what I have. Am donating or giving the prunings to various places and friends but before some of them go they will spend time in a new stack called “Stuff to Read Before It’s Definitely Given Away”.

Most recently plucked from the STRBIDGA pile was Dennis Lee’s Savage Fields, published in 1977 by Anansi. Its subtitle: An Essay in Literature and Cosmology  did NOT help it win my attention over the years and more than once I thought to just ‘donate’… but something made me keep it and I’m so glad I did.

Less essay than discussion of Lee’s theory that everything is either of (or about) the earth or the world,  including stories. (Earth being anything natural… World being anything man made.) The savage fields of the title refers to the friction caused when earth and world collide, which of course they constantly do.

His interest is in how that happens in literature, and so he dissects two books as examples:

The Collected Works of Billy the Kid, by Michael Ondaatje (a combination of prose and poetry in which Lee theorizes that Billy is trying, constantly, to kill the earth and so is, in fact, killing himself)

and

Beautiful Losers, by Leonard Cohen (one of two novels by Cohen, which Lee suggests is about freeing a repressed Canadian history through liberation of thought)

I will forgive that both books are by men. Dennis Lee is himself a man. This is often how things go. I will forgive it also because Savage Fields is a fascinating piece of work nonetheless.

I’ll admit that I’ve read neither Beautiful Losers nor Billy the Kid.  The former strikes me as incomprehensible and the latter not up my street but, oddly, I really liked reading about them through Lee’s lens. I enjoyed his analysis and the way he takes the story of each book apart, illustrating his theory of how we continue to screw up the earth because, essentially, we can’t accept beauty when it comes our way, that we have this need to alter it, put our own stamp on it and make it ‘better’. (Better than what? It was trundling along just fine until we got involved.) Lee says that we turn earth to world because we can’t help it and even while knowing on some deep level that we are screwing ourselves.

We’ve been more or less doing this by various means since we invented agriculture, which is when we stopped living in harmony with ‘earth’.

Another of Lee’s theories is what he calls the Isis Continuum, which, essentially, is happiness (Isis being a goddess of Egyptian mythology, wise and unconditionally loving). Again, we, for some reason, often refuse the simplicity of happiness, creating chaos instead as if not believing happiness is truly possible.

Lee posits his way through both books, offering excerpts and outlines of the stories, analyzing characters and actions.

Savage Fields isn’t a difficult read, but it’s an unusual one. One that takes a pot of tea and a Sunday morning to find your rhythm with (best read whole or in two parts, but definitely not fragments). It’s the kind of book you want someone else to read so you can talk about it with them and apply Lee’s theories, to find the savage fields in literature or at least to keep the notion of it in mind.

“World and earth are shown as being at war, yet they keep turning out to be the same thing. How can we resolve the contradiction?… To conceptualize this unusual state of affairs takes a certain amount of effort — indeed, a willingness to bend one’s mind in unaccustomed directions.”

“I started this book in 1972. I knew the title before I knew what the title meant. There are months of drafts between the sentences. The voice kept sounding false, excluding too much of who I was. Now I look at it, and find I have scarcely made a beginning.”

“Clear thought is an achievement of difficult beauty.”

The kind of book where most excerpts are pointless out of context. The kind of book that isn’t easy to quote from and details are soon forgotten, yet you feel inexplicably changed for the better for having spent time with it because suddenly ‘something’ feels clearer. Surely one of the best reasons for reading.

♦

Dennis Lee was a founder of House of Anansi, which prided itself in the late 60’s and 70’s on its difference, its experimental style, and its interest in the Canadian story.

 

 

 

the teachers are leaving… i hope we’ve been paying attention

~ carin ~ 7 Comments

 

I’m thinking of so many teachers on a morning when we woke to find we’d lost one of our best, one who taught through music and poetry, such gentle lessons… the kind that change us in ways that allow us to find the strength to build and change our world with compassion.

Have we made notes? Because it’s up to us now.

And I’m thinking about those who fought against the *isms* … Oh, to find a way of fighting without harming. Maybe that’s the hardest fight of all.

dsc07670It’s not much, but I went out onto the main street of our tiny downtown and watched those men and women march to the cenotaph. Each year there are fewer gray heads but those still there always have the same look in their faces, their eyes…

dsc07680I’m not a fan of war (are there fans of war?). Or even the military. That’s not what I’m paying respect to.

At least not directly.

I’m there for the individuals, not the machine.

I’m there for the same reason I once stood at the side of the 401 while the car carrying the body of a boy home from Afghanistan passed and the crowd of people went silent and a mother and a father were somewhere doing god only knows what mothers and fathers do at times like that.

It’s not about condoning why people die, it’s about not being able to pretend they don’t.

And so every year since this one I try to make it to the parade and stand in silence, together with neighbours I don’t know, all of us there for probably very similar and yet different reasons.

Does it matter that there are different reasons?

dsc07667 dsc07668 dsc07666 dsc07675However you look at it, it’s a sweet thing in a fleeting way.

**

Bonus: on the way back to my car this beautiful old man in a don’t-hit-me fluorescent vest, said hello in that way the very old have perfected as an art. One of those things we might have made better notes of… how to greet the neighbours we don’t know.

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**

The Gift,

by Leonard Cohen

You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me.

♣

a gift for april

~ carin ~ 4 Comments

           You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
         This is not silence
this is another poem
and you would hand it back to me.

—’Gift’, by Leonard Cohen (The Spice Box of Earth)

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go fly a kite

~ carin ~ 5 Comments

“A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.”

♦
—from ‘A Kite is a Victim’ (The Spice-Box of Earth), by Leonard Cohen”

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maybe the turtle

~ carin ~ Leave a comment

‘When Even The’  by Leonard Cohen

Your breasts are like.
Your thighs and your carriage.
I never thought.
Somewhere there must be.
It’s possible.
Summer has nothing.
Even Spring doesn’t.
Your feet are so.
It’s cruel to.
My defence is.
Summer certainly doesn’t.
Your.
And your.
If only.
Somewhere there must.

But the.
And the.
It’s enough to.
Soldiers don’t.
Maybe the turtle.
Maybe hieroglyphics.
Sand.
But in your cold.
If I could.
If once more.
Slip or liquid.
But the.
And the.

Sometimes when.
Even tho’.
Yes even tho’.
They say suffering.
They say.
Okay then let’s.
Let’s.
The sign is.
The seal is.
The guarantee.
Oh but.
O cruel.
O blouse with.
This is what.
And why it isn’t.

But what do they.
What do they.
When even.
When even the.
Years will.
Death will.
But they won’t
Even if.
Even if the.
They never will.

O deceiver.
O deceptive.
Turn your eyes.
Incline your.
To the one who.
Rotten as.
Who does not.
Who never will.

But now your.
And your.
And these arms.
Which is lawless.
Which is blind.
If you come
If you find.
Then I.

Like all.
Like every.
If only.
If when.
Even though.
Even if.
Not for.
Not for.
But only.
But every.

If I could.
When the.
Then I.
Even if.
Even when.
I would.