a rant for friday, after dinner on thursday

 

The waiter brings the apps, sets mine down and says, “There you are, young lady.”

He sets down my husband’s. “And for you, sir.”

We are the same age, my husband and I.

And I am no young lady.

When the main course comes the waiter repeats his little service mantra and I point out the above—lightheartedly, but clearly wrapped in a message. It rattles the poor soul but he’s not the sort that moves easily beyond his ignorance and chooses to stand firm instead, explaining that many people like being called ‘young lady’.

“People?” I say. I point out that in our case, my husband is called ‘sir’ every time.

He looks to my husband who purposely says nothing. This is my discussion and that seems to rattle the waiter even more.

He says some people prefer ‘sir’.

Again with the people.

I should mention that the waiter is thirty something. In other words nowhere near old enough to be calling anyone young. Were he my parents’ vintage or older, or even my vintage, it would be another story and more acceptable, because it would be coming from a whole different place. Does this chap call twenty-five year olds ‘young lady or man’? I doubt it but if he does I’m guessing it might also come across as odd. In fact I can’t think of any age, beyond maybe eight, when I would have thought it normal. But more important than the age thing, is the gender thing. My husband is referred to with respect, as in ‘Sir’. While I’m expected to be content with the nonsense of ‘young lady’.

Women may be subjected, generally, to more dears and sweeties and hons, than men, and from both genders, and that’s another story, but this is about more than endearments or habits of speech. The ‘young lady’ thing, however, seems to come predominantly from males… and is directed at females who are not young. Perhaps these misguided men think of it as some kind of gift…

I try to explain this, to enlighten him with the news that women don’t actually enjoy being condescended to and that this ‘young lady’ thing is just plain silly, and then I present him with a challenge so that he might see the silliness more clearly. I suggest he turn things around, call all male customers, of any age, ‘young man’.

His face falls a little.

I smile. “Go on,” I tell him. “Give it a whirl. Maybe some people will prefer it…”

No answer to that and I’m suspecting he doesn’t give it a whirl.

I swear if I was his boss I’d insist he do it.

Later, when I pass on dessert and hand back the menu, he says, “Thanks, love.”

“You’re welcome, darling,” I reply.

If he gets where I’m coming from he doesn’t let on.

It’s only when he places the bill on the table and I immediately reach for it—and I know he sees this—that for the first time all night a light seems to come on for this boy as he realizes he’s made a terrible mistake…

 

 

aka: a lady of leisure

The following, ascribed to ‘Anonymous’, but thought to have been written by Florence McLandburgh, is taken from the 2014 Herstory calendar, an annual celebration of women that I have raved about at least once before.

*

No Occupation

She rose before daylight made crimson the east
For duties that never diminished
And never the sun when it sank in the west
Looked down upon work that was finished.
She cooked an unending procession of meals,
Preserving and canning and baking.
She swept, she dusted.
She washed and she scrubbed.
With never a rest for the taking.
A family of children she brought into the world,
Raised them and trained them and taught them.
She made all the clothes, patched, mended and darned
Till miracles seemed to have wrought them.
She watched by the bedside of sickness and pain
Her hand cooled the raging of fever.
Carpentered, painted, upholstered and scraped
And worked just as hard as a beaver.
And yet as a lady-of-leisure, it seems,
The government looks on her station.
For now, by the rules of the census report
It enters her—No Occupation.

*

Note: the rules changed in 1931, when “homemaker” was allowed on the Census report.
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Picture courtesy WikiCommons

a gift from the fog

I like fog. Not when I’m driving. But for walking or looking, it’s quite wonderful. Often feels like a bit of a gift, like the day’s wrapped up inside it, to be opened slowly.
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This is how it was at the beach the other morning.
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Not much showing.
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And then I see this.
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An anonymous note left for anyone to find is one of my favourite things.
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It’s an open letter about the power of believing and the importance of tuning out the naysayers, but it’s not preachy or long-winded or written with any kind of guru on the mountain vibe… just a slice of someone’s sweet, but not in any way saccharine, heart.

Yes to fog.

Boo to naysayers.

tour de blogs

I love a tour. And so I was especially pleased to be invited to join this mad literary romp, blog-style, where we answer a set of questions in our own merry way. Many thanks to the always madly wonderful Alice Zorn over at Rapunzel’s Hair for asking. Alice is the author of Arrhythmia, the short story collection, Ruins and Relics, and often translator of Grimms fairy tales.  Among other things, she blogs about her travels and her beloved Montreal neighbourhood, Pointe St. Charles. Her contribution to the game is here.

So… bon voyage, and here goes…

 

—What am I working on?

I tend to go through phases of working at more than one thing at a time. Currently I’m revising a few stories to send out, preparing a collection of essays and occasionally checking on the brine in which my novel manuscript is marinating… It often needs more salt.
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—How does my work differ from others of its genre?

It occurred to me recently that I’m not a good rule follower. Not because I’m a renegade or anything as quaint as that, but simply because I’m often not aware of the rules. And even when I manage to figure out what they are, I can hardly believe it: those are the rules??  I have a hard time talking with people who want to discuss trends. I have no idea *what* is popular. Nor do I want to belabour any knowing. I recently wrote a story from the perspective of a chair.
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—Why do I write what I do?

One of my interests is relationships, especially those within the constraints of family. I realize I’ve been watching various families all my life—my own of course and those that lived on my street as a kid; aunts and uncles that weren’t, or were; the families connected to friends as I grew up; the manufactured ones through marriage and children, or no marriage and no children, or some other configuration therein or thereof. I’m fascinated with the way roles are assumed and played out to various ends and for what reasons and how we judge it all… and how we pretend it doesn’t matter and how it matters so very much. I’m interested in what’s remembered and how in a family there’s nothing even close to a consensus of truth. My writing often pokes about in this tender territory, trying to make head or tail of things. Why??  Who the hell knows.
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—How does your writing process work?

A large part is thinking out loud. Also known as talking to myself. I run through scenes, interview myself, ask myself what is the point of such and such… what is the point???… until I either come up with a point or scrap the whole damn such and such. I write in a journal most mornings, about dreams and grocery lists initially, but eventually making my way to the day’s work and what I want to accomplish, which inevitably leads me back to the such and such and the point, and pretty soon I’m no longer writing but talking to myself…

Best places to work through a problem: in the car, on a walk, weeding the garden.
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~

The tour continues with Barbara Lambert, author of The Allegra Series,   A Message for Mr. Lazarus  and The Whirling Girl. And Maria Meindl, author of Outside the Box; Maria’s essay ‘Junior’ appears in the anthology The M Word. Thanks to both for bravely accepting this mission. Am looking forward to visiting their blogs in the coming weeks and will post links here.

Stops on the tour include:

Theodora Armstrong
Ali Bryan
Marilyn Bowering
Janie Chang
Jaime Forsythe
Susan Gillis
Jason Heroux
Cornelia Hoogland
Ellen S. Jaffe
Eve Joseph
Susan Juby
Anita Lahey
Barbara Lambert
Steve McOrmond
Maria Meindl
Sarah Mian
Elise Moser
Kathy Page
Julie Paul
Pearl Pirie
Shelagh Plunkett
Ryan Pratt
Jael Richardson
Devyani Salzman
Cassie Stocks
Ayelet Tsabari
Patricia Young
Julia Zarankin
Alice Zorn

there oughta be a sign

The path in the park forks into a circle around a small copse.
It doesn’t matter if you go left or right, you’ll eventually come back to the same place. If you go left you get to the bluebells and trilliums sooner. I go right.
I like to save the good stuff.

There’s a tree, a shrub really, in pale pink blossom. A wild thing I’ve never noticed it before. I’ll pay attention this year and see what it becomes.
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This reminds me of the apple tree I passed on the way in, how all that windfall fruit last year made good crumble. And a few meals for the squirrels until the ice storm happened. Most of the trees in the area were badly broken but, magically, the apple tree was spared. I make a note to check for blossoms on my way back.

I see that the fiddlehead ferns—ostrich ferns—are past their fiddlehead stage.
It always happens so quickly and I haven’t even had any yet this year.
Another note: find some and eat.
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And how does a single daffodil appear on a forest floor unless planted by someone? Well done, someone!  Because if you had to be a daffodil, this would be the life to choose. So much better than the claustrophobic hysteria of mass plantings.
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I see my first forsythia. Out here anyway. The actual first was in Toronto. But it always is. All that concrete has an encouraging effect on blooms.

And here’s something peculiar: I’ve never noticed the dogwood that lines the creek. How is that possible? I’ve walked here for years.
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And this is new also: what looks to be a cucumber among the still-to-be-cleaned-up ice storm debris. Though I think it’s bound to be trampled on well before it finds its way to a crust-less sandwich.

Poor thing. The world needs more cucumbers.

I’m tempted to make a sign…
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