the warrior way

“John Lennon always felt like an Indian to me. In the words and music of this white rock ‘n’ roller, I found the essence of the warrior way. That way is not about being bitter or resentful. It’s not about getting what you think you’re due. It’s not about blaming history for the condition of your life. It’s not about pursuing revenge for injustice. It’s about living a principled life despite all the seeming crap, about living with soul, about embracing the flame of your spirit and letting it burn brightly. It’s about embracing the light of others, too, regardless.”
~ from One Native Life, by Richard Wagamese, Douglas & McIntyre, 2008
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willie nelson on a bridge

Willie Nelson walks across a bridge behind the art gallery carrying a plastic shopping bag—Metro, Food Basics, A&P maybe. Long white braid down his back and a red lumberjacket over jeans. We pass and momentarily catch one another’s eyes. He is grizzled and possibly hungry, but he does not look unhappy. Or even slightly mad.

Going into the Quicker’s Dairy Mart, which is next to the place that will cut glass to size for you, is that blond guy from The Dukes of Hazzard. Not him grown up but as a kid. He stops to let me go by. He’s only about fourteen so I think this is sweet; in fact his politeness amazes me.

On a bench in front of Benjamin Moore sits Glenn Gould smoking a cigar without gloves. He wears black rubber-soled shoes and grey socks, a grey winter jacket and blue jeans. Not jeans but blue jeans, the kind that might be belted up around his rib cage. I can’t tell. The jacket is zipped. The cigar is two inches long and he holds it carefully, ceremoniously, as if he’d just signed a contract for the biggest deal of his life and he’s celebrating with the best cheroot his filthy lucre can buy. He inhales with a slightly addled smile, a kind of wide grimace that stretches his mouth a little too much [there’s a hint of yellow teeth] then exhales like a goldfish breathing, mouth rounded and pulsing like he’s trying for smoke rings. But you can tell smoke rings are the last thing on his mind. I suspect he may not even know what such a thing is. He goes on, rapidly, inhaling and exhaling like this, making those faces, until the cheroot is nothing more than a tiny stub, which he tosses onto the pavement. He stands, walks a few steps as if to leave then leans down when he spies a good-sized cigarette butt. He returns to the bench, finds his cigar stub and uses it to light his latest smoke. When it takes, and just fort the merest of moments, he smiles for real then returns to his weird face isometrics all the while watching a boy in a purple hoodie do tricks on a silver scooter.

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trashy spring thawts

Who would be a worm? Such a thankless job. Having survived all winter in frozen ground with slim pickings food-wise only to be lured to the surface by a splash of springtime rain then end up stranded on scratchy bits of pavement as sun shines and feet and wheels are everywhere carelessly about.
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Worse, though, to be forgetful. Worm or human. To not have the sense you were born with. What else but a dose of dementia or dangerous daze could explain how it’s possible to find a lovely place for a cup of something and then wander off without it? Alas, beware, poor sweet forgetful soul! There are brick walls and open manholes out there…
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But the saddest thing of all must surely be the human who lives the sort of life where four large bags of garbage every two weeks cannot contain its rubbish so it must sneak under cover of darkness to public receptacles where it crams its excess…
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…forcing purveyors of said receptacles to take action with locks and smaller entry points. IMG_1162
(This of course does not apply to worms as they are clever enough to eat their own detritus.)

inject into rattling discourse as necessary

Am cheating today and scooping a little something that was sent to me— thought it might come in handy should you be socializing any time soon and require bon mots or merely questions to change conversational direction or stop people rattling on about pet bunnies [or equivalent]…

You’re welcome.

1.  IF A TURTLE DOESN’T HAVE A SHELL, IS IT HOMELESS OR NAKED?

2.  IF YOU GO INTO A BOOKSTORE AND ASK WHERE THE SELF-HELP SECTION IS, DOESN’T THAT DEFEAT THE PURPOSE?

3.  WHAT IF THERE WERE NO HYPOTHETICAL QUESTIONS?

4.  IS THERE ANOTHER WORD FOR SYNONYM?

5.  WHERE DO FOREST RANGERS GO TO “GET AWAY FROM IT ALL?”

6.  IS IT OKAY FOR ENDANGERED ANIMALS TO EAT ENDANGERED PLANTS?

7.  WOULD A FLY WITHOUT WINGS BE CALLED A WALK?

8. CAN VEGETARIANS EAT ANIMAL CRACKERS?

9. WHAT WAS THE BEST THING BEFORE SLICED BREAD?

10. ONE NICE THING ABOUT EGOTISTS: THEY DON’T TALK ABOUT OTHER PEOPLE.

11. HOW IS IT POSSIBLE TO HAVE A CIVIL WAR?

12. IF YOU TRY TO FAIL, AND SUCCEED, WHICH HAVE YOU DONE?

13. WHOSE CRUEL IDEA WAS IT FOR THE WORD ‘LISP’ TO HAVE ‘S’ IN IT?

14. WHY IS THERE AN EXPIRATION DATE ON SOUR CREAM?

15. CAN AN ATHEIST GET INSURANCE AGAINST AN ACT OF GOD?
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this is not a review: walking a literary labyrinth, by nancy m. malone

 

I couldn’t remember how I came to have this book on hold at the library and when it came up I nearly put it right back. I wasn’t in the mood for a ‘literary labyrinth’, which I took to be a list of books that I will feel compelled to read. But curiosity kicked in—I couldn’t help wondering what about it struck my fancy once upon a time. And guilt of course, that annoying and familiar tic that insists I read—properly—at least a few pages of everything I put on hold.

[Note: I have since remembered how it came to my attention.]

And so I took it home. And I began reading. And I finished it in one happy sitting. With food breaks of course.walkingaliterarylabyrinthlrg

In a nutshell: Nancy Malone is a nun who has left the nunnery and now lives in a funky little cottage on City Island in NYC where she swims and reads and reminisces about her reasons for making her life choices.

What it is: part theology, part literary chat, part philosophical bon mots, part superbly fascinating woman who isn’t shy about expressing her thoughts re the church’s tendency toward small mindedness in the ways of discouraging a variety of reading material and the subsequent thrust and parry of good conversation that results from same. Essentially, Malone couldn’t accept the limitations imposed on her, book-wise; she describes the simple pleasures we take for granted in reading widely as something of an epiphany, so malnourished was she.

…reading has changed how I see, or have not seen, others (isn’t this the point of Ralph Ellison’s Invisible Man?); it enlarges my vision. Alice Walker’s The Color Purple make me see the world through the eyes of a black woman. In Saul Bellow’s Mr. Sammler’s Planet, I live inside the head of a Jewish intellectual in Chicago. I become intimate with a reluctant Czech dissident in Milan Kundera’s The Unbearable Lightness of Being. I can hardly conceive how limited my perception would be without the books I have been privileged to read, how superficial my understanding of others, how undeveloped my sympathies.

The larger context being that, as a religious person, she can see the benefit of reading beyond ‘prescribed’ books, and how the church might also benefit from giving that idea some thought.

There is, in fact, a list of clever reading, which, while annoying because I can’t help but feel I must make note of several smart titles, thus adding to the sense that I’ve read nothing… she adds to with asides for each selection. And while her focus is the church [which she continues to respect for many reasons] and its influence and how it saddens her that ‘It’ just doesn’t get that “…learning has to do not only with facts but also with ideas”, the larger effect is that of books, generally, and their power to increase understanding within all aspects of society. Including, and perhaps most importantly, religious societies.

And I say “my spirit” on purpose, because I believe that language, in all its dimensions, articulates the human spirit. Language is grammatically complex because we are, our thoughts and feelings and relationships are, because life is. We don’t experience ourselves, or life, simply, declaratively,. We need subordinate clauses, compound-complex sentences to express the reality of who we are, to show what is more important or less important, just how one thought or feeling or situation is related to another.
And we need a rich palette of words, with their different, fine shades of meaning, from which to select just the right words. Surely these are among the blessings that good prose and poetry, without trying to say everything or saying too much, bestow on us… Thus, to the extent that our language, both literary and spoken is monochromatic, monorhythmic, grammatically unarticulated, sometimes monosyllabic—impoverished and flattened—so are our spirits.